last moon

giovedì 19 dicembre 2013

The hand of God

The Church is like a hand: the thumb is the Pope, who gives stability, firmness and safety;
the fore finger are the missionaries, who walk along the paths indicated by the Lord: "Go and preach all over the world!"
the medium finger  are  sisters and friars, because if you raise your hands to heaven, that's what you get nearer to God by prayer;
the ring finger are the priests, that bring the faith into the homes and
receive families in the parish  to transmit their faith;
Finally the little finger are the bishops and cardinals who, if do not try to prevail with arrogance and presumption on the other fingers of the hand, may beautify and complete the hole hand.

lunedì 9 dicembre 2013

The devil tempts Jesus in the desert



From Chapter 4 of Saint Mathew's Gospel
VV 1-11


In that time the Spirit pushed
Jesus in the desert where the demon
 Proved Him. For forty days resisted

Jesus Christ, with fast and preaches,
the hunger and the thirst! Then He was hungry.
-    “Why don't you turn in flour of mintage

these stones?” The weaver of lusts
said! –“Not only of bread lives
the man, but of every word which

comes from God it's written!” -, Jesus answered!
He was conducted to the Temple of the City

and Satan still tried Him: - “Throw yourself down,
and ask your angels to hold  You up
because it's written he doesn't have to bump against a stone
his foot'”–“Between the true writings

there is”–Jesus answered to  Satan–
“Don’t try your God and your Lord!”
Again Belzeboo, above the tallest rock

conducted him, tempting Him again.
He showed all the kingdoms of the world to Him,
with their glory and their honor

and  said: “If you worship me
all these things I will give to you!”
But Jesus answered: “Go away dirty thing!

It's written  that You'll worship only Your God
And only to Him you will make your cult!”
Then the devil had  to surrender,

going away without anymore insult.
And the angels approached Him
serving Him of any need!

domenica 8 dicembre 2013

The first four apostles


From Chapter 4 of Saint's Mathew Gospel 
VV 18-22

-    “Follow me, I will make
-     fishermen of you !” –It was this way
that Jesus, walking along the galilean sea 
choosed two couples of brothers:
 James and Jhon with Peter and Andrew, 
who were fishing with their parents; 
but they left nets and boats behind them
 for following Jesus!

domenica 1 dicembre 2013

Manifesto for a new Literature's Magazine

Ars Poetica Magazine- Life and Poetry is a new literary review for classic and modern poetry, edited both in english and italian languages.

The first number will be issued very soon. The magazine won'nt follow a regular,   periodic publication but it will be issued as we need.

The name of the Magazine has been chosen thinkink at the contents of  the Horace's work (also known as the Epistle to Piso) incredibly pungent and present after more than 2000 years (the epistle attracted also the attention of Giacomo Leopardi who made, in 1811, a fine octave transposition in rhyme).

 The Magazine wants to deal with poetry in the conviction that poems are strictly tied with life and society, as the subtitle of the magazine shows.

 Our references will be directed to all  the great italic poets: between the Latins Horace,  Lucretius, Virgil, Ovidio; between the Italians Dante, Iacopone, Boiardo, Ariosto, Tasso Foscolo, Leopardi, Manzoni, Carducci, Pascoli ( the list is only an example and is not exhaustive).

This does not mean that our magazine won't take in the right count other great poets like the English Spenser, Shakespeare, Donne, Milton, Blake, Wordsworth, Coleridge, Lord Byron, Sheller,, Keats, Eliot or Dickinson; or like the Americans Whitman, Poe, Pound, E.L. Masters or Ginsberg.

Nowdays there are so many poets writing so many poems so much long! And all seems to be so easy!

That's due to the general literacy which took place in the last century and there is nothing bad on it.

Nevertheless there is a precious heritage of poetic culture which is on risk to be lost.

Words are  like  rough stones: before they become verses or poetry, they need to be smoothed like river's stones.


Horace uses a more efficient metaphore in his epistole to Piso:" If you want to deserve altars or temples / wait at least nine years, dear brother / before to publish your poems/and work on them as blacksmith does to make the iron shape!!! " And forward in the poem: " But if you are in  search of  honor and praise / writing four verses, oh Piso  / show them to your  parents or to a wise and good censor ;/ keep them locked up for a long time / for if a man has once ever escaped/  he's not  coming back never indeed ! "

 Of great poets of the past I appreciate their skill on shortness and synthesis. A skill that does not belong to free versifiers of present days. and neither they seem to shine for rhyming. Again with the Horace's words:

" Meanwhile, everyone is kindly asked to be short  / and either delight or to be useful in his rhymes! "

Of course I the Magazine will deal and accept also plain verses and free versifiers will be welcome; though I think that poetry has paid a price for the democrat diffusion of popular literacy. The quantity gained by poetry in width has been lost in depth.

So many writers confuse poetry and prose misregarding of any distinction. So, some writers, who could be so cool in prose, become, with Horace's words, cruel poets:

" We can tolerate mediocrity in anything ;/ but not in  poetry: thus in honey /  choosey mouths do not like   / a bitter almond  inside . / The best would be to write on prose / if a versifier  is just too cruel / as the football player leaves balloon and balls / and  abandon the disc who is not too strong!

Naturally I believe the in poetry  contents,  meaning and even  social involvements are the most important things; nevertheless I like to underline that  metric patterns and poetic structures are not cages for prisoners but frames which bound to freedom and liberty is not equal to anarchy.

Poetry is nourishment for the souls and souls need  distilled food.

But whom readers does our Magazine apply to?

First of all we would like to recall those who love  poetry metrical structures (both poets or just readers); a poetry framed into patterns like terza rima, octaves and whatelse is made by syllables with the right accents.

Secondly our Magazine would like to approach the  Italian who live abroad (specially those who live in English speaking countries but not only them); either because they have emigrated or they live in foreign countries for different reasons;

Finally everyone who wants to have a free change of ideas, even with those who might have different points of view, are welcome for reading, commenting or contributing to our Magazine.

We'll give information of the web's site publishing the contents of Ars Poetica Magazine, as soon as we are ready for publication.

I hope you'll be joining us for sharing time and ideas together. In the meantime, I wish all the best on your life.

sabato 16 novembre 2013

A Manifesto for a new Magazine


Ars Poetica Magazine is a new literary review for classic and modern poetry, edited both in english and italian languages. 
The first number will be issued very soon. The magazine won'nt follow a regular,   periodic publication but it will be issued as we need. 
The name of the Magazine has been chosen thinkink at the contents of  the Horace's work (also known as the Epistle to Piso) incredibly pungent and present after more than 2000 years.  
The work attracted the attention of Giacomo Leopardi who made i , in 1811 , a fine octave transposition in rhyme. 
 Our references will so swing between these two great poets: Horace and Leopardi.
This does not mean that our magazine won't take in the right count other great poets like Dante, Tasso, Ariosto or Manzoni; neither we aim to slide over the greatness of such a literary giants as Shakespeare, Donne, Milton, Byron or Dickinson. But the two orienting poles will be the latin poet from Venosa and
the great recanatian author of the "Infinito" and of the transposition of the horacian  "Ars Poetica".
Nowdays there are so many poets writing so many poems so much long! And all seems to be so easy!
That's due to the general literacy which took place in the last century and there is nothing bad on it.
Nevertheless there is a precious heritage of poetic culture which is on risk to be lost.
Words are  like  rough stones: before they become verses or poetry, they need to be smoothed like river's stones.

Horace uses a more efficient metaphore in his epistole to Piso:" If you want to deserve altars or temples / wait at least nine years, dear brother / before to publish your poems/and work on them as blacksmith does to make the iron shape!!! " And forward in the poem: " But if you are in  search of  honor and praise / writing four verses, oh Piso  / show them to your  parents or to a wise and good censor ;/ keep them locked up for a long time / for if a man has once ever escaped/  he's not  coming back never indeed ! "

 Of great poets of the past I appreciate their skill on shortness and synthesis. A skill that does not belong to free versifiers of present days. and neither they seem to shine for rhyming. Again with the Horace's words:

" Meanwhile, everyone is kindly asked to be short  / and either delight or to be useful in his rhymes! "

Of course I don't have nothing against blank verses or free versifiers; but I think that poetry has paid a price for the democrat diffusion of popular literacy. The quantity gained by poetry in width has been lost in depth.
So many writers confuse poetry and prose misregarding of any distinction. So, some writers, who could be so cool in prose,, become, with Horace's words, cruel poets:

" We can tolerate mediocrity in anything ;/ but not in  poetry: thus in honey /  choosey mouths do not like   / a bitter almond  inside . / The best would be to write on prose / if a versifier  is just too cruel / as the football player leaves balloon and balls / and  abandon the disc who is not too strong!

Metric patterns and poetic structures are not cages for prisoners but frames which bound to freedom and liberty is not equal to anarchy.
Poetry is nourishment for the souls and souls need only distilled food.
But whom readers does our Magazine apply to?
First of all we would like to recall those who love  poetry metrical structures (both poets or just readers); a poetry framed into patterns like terza rima, octaves and whatelse is made by syllables with the right accents.
Secondly our Magazine would like to approach the  Italian who live abroad (specially those who live in English speaking countries but not only them); either because they have emigrated or they live in foreign countries for different reasons; 
Finally everyone who wants to have a free change of ideas, even with those who might have different points sf view, are welcome for reading, commenting or contributing to our Magazine.
We'll give information of the web site publishing the contents of Ars Poetica Magazine, as soon as we are ready for publication.
I hope you'll be joining us for sharing time and ideas together. In the meantime, I wish all the best on your life.

mercoledì 6 novembre 2013

Horace and his lawyer

The distinguished jurist Gaius Trebatius Testa (I century B.C.), warned the sublime poet Horace, his great friend, the rigor of the laws to which it was likely to meet with his biting satire.

- "If a man has composed bad verses  against someone, he will be taken to court and sentenced" - said the careful lawyer  to his friend.

- "All right!" - Horace replied - "But if someone had written   good verses also pleased to publict?"

- "Then even the tables of the law would melt with laughter and solved you would go to home!" - Concluded the great jurist reassuring his poet friend.

Here's how I imagined the dialogue between the two, freely
translatingfrom the First Satire of the Second Book of the Satires of the great poet Horace:

Gaius Trebatius Testa- ” Si mala condiderit in quem quis carmina, ius est iudiciumque!”- ego tibi moneo Horatius
Quintus Flaccus Horatius – ” Esto, siquis mala, docte Trebati; sed bona siquis judice condiderit?”
Gaius Trebatius Testa: – ” Solventur risu tabulae, tu missus abisis laudatus Flaccus.

giovedì 31 ottobre 2013

The stabbing scream


You charge me for brainwashing
for pressing you down;
may be is right
who says the fault
is giving the life
though I  thank God for living!
But that stabbing scream
pierced my soul
from the darkness
of your strenuous girlhood.

lunedì 28 ottobre 2013

The street's traders





“Go street-trader go
No one can teach you
How to live
Go, chaser of freedom
Temper of marble
Go, Go, street-lover
On the streets of the world
You’ll hit on your dreams”.

giovedì 24 ottobre 2013

Ars Poetica

The Ars Poetica of Horace is incredibly pungent and present even though more than 2000 years have passed since the great Latin poet wrote this work, also known as the Epistle to Piso . The work attracted the attention of Giacomo Leopardi who made i , in 1811 , a fine octave transposition in rhyme.
Here are some pearls in all faithful to the original that inspired them .
" If you want to deserve altars or temples / wait at least nine years, dear brother / before to publish your poems/and work on them as blacksmith does to make the iron shape!!! "
" Meanwhile, everyone is kindly asked to be short  / and either delight or to be useful in his rhymes! "
" But if you are in  search of  honor and praise / writing four verses, oh Piso  / show them
to your  parents or to a wise and good censor ;/ keep them locked up for a long time / for if a man has once ever escaped/  he's not  coming back never indeed ! "
" We can tolerate mediocrity in anything ;/ but not in  poetry: thus in honey / 
choosey mouths do not like   / a bitter almond  inside . / The best would be to write on prose / if a versifier  is just too cruel / as the football player leaves balloon and balls / and  abandon the disc who is not too strong  ! "
Let us meditate on these verses together, all of us who want to be poets !


martedì 15 ottobre 2013

Erasmus Plus

 It's official now. From the 1st of January 2014 European's Lifelong Learning Projects Comenius will be replaced by Erasmus +.

As well known by the school enviroments Comenius has financed, trough the years thousands of projects, allowing several millions of students, all along European Union, to travel around changing emotions, languages and cultures.

The semestral Irish presidency has now financed the new culturul project from 2014 till 2020.


Detailed information about Erasmus + will be published on http://ec.europa.eu/dgs/education_culture/ as soon as possible.
Then, boys and teachers: make up your projects and have a good journey with the new Erasmus + LLP!

domenica 6 ottobre 2013

Samson's Deeds - II




 Samson showed  very soon  his strongness
  fighting against the  Philistines
who at that time were plenty of guiltyness,
for a forty year long cruelty of crimes
to those tied with him through  Jewishness
never I had so strong a friend of mines;
whith naked hands he defeated a lion,
his strenght alone equalled  a batallion!!!

domenica 29 settembre 2013

Birth,deeds,loves and death of Samson - I


Announcement of birth

Of his birth an embassy was made
 to a  barren woman who in Zorah stood!
To her  an angel of the Lord said
 - “ Beware you do not eat any unclean  food
nor you taste some  wine nor drink so bad
 and nor razor nor knife shall touch his  head:
you'll conceive  a Nazarite of God
to free Israel from Philistine’s rod!

domenica 15 settembre 2013

A good book is for ever


Summer is almost gone. We're back at school (at least in the boreal emisphere). 
 Generally I prefer reading than writing, and so especially in the summer. 
When I don't find good new books I go back to classic books. This summer I have read, between others, Jack London's "The call of the wild".
 It's the story of Buck, a half breed dog, who by mean of a servant's treachery, is moved from his sunkissed masterhouse in Santa Monica to the icecold regions of the northlands, following the madness gold rush in the end of the XIX century. 
So Buck is thrown from the leisure of his south life to the fighting hard life of the freezy north. 
And it's a daily struggle for life. Buck has to fight against men, for they need led's dogs blindly devoted to their hard task, strong and obedient; and he has also to fight against the other dogs, for the struggle of the leadership is a natural, instinctual must in a  harnessed  sled score and even out of those laces. 
Memorable are the pages on which London describes the duel and the rivalcy between Buck and Spitz the two dogs who want the supremacy over the other huskies. The story represents a great metaphore of human life and the struggle of the man against the elements, the savage habitat, the animals and the other men in order to survive. 
The same daily struggle we assist nowdays, in the war time, as in peace time; workers against capitalists; men against women; good against evil; governements against financial powers all over the world: the eternal fight for primacy, for surviving. At last Buck, once rent all the ties with his masters, joins the wolves in the forest: and he's back at his natural feature, his real dimension. The call of the wild has won over all.
 I think a good book is a good friend for ever.

sabato 7 settembre 2013

Poem of Creation

 
Chapter 6
Where we narrate the last deeds  of King David,  of Solomon and his greatness;
From the  two books of the Kings.
II

In fact the day has come right now,
10. that  David reigns since  forty years,
To put  his powerful scepter down
And ‘cause the oldness he  fears
He has to choose who’ll  wear the crown
And writes his will with ink of love and  tears
15. That Solomon must in the  throne  be sit
And Ebiatàr and  Ioàb instead be guilt.

...to be continued...

martedì 3 settembre 2013

The Poem of Creation

 
Chapter 6
Where we narrate last deeds  of King David,  of Solomon and of his greatness;
From the  two books of the Kings and the two books of the Chronicles.

I

Now is David king feeling so cold 

To marry with a virgin feature; 

but with her is not so strong and bold,

although she’s warm and nice by nature

5. since a man who reaches to be old, 

behaves  like a celestial creature, 

Reaching the peak of brightness, 

Fading away  ‘till  nothingness.

…to be continued…