last moon

giovedì 17 settembre 2026

The Bell of Time

 


https://www.amazon.com/dp/B0HJP27T7M

The Bell of Time

Drama in Sardinian language in three acts

Translated into English by Ignazio Salvatore Basile

 

 

Characters and Interpreters

Two women

Two lovers

Two shepherds

The rioters

The soldiers

Spike Corner (famous speaker)

Other speakers

Mother and son

Four girls

Various poor people (men, women and children)

Other People


PLOT

 

In a town in central Sardinia a mysterious bell dominates the population by terror. But a group of young people decide to rebel against this dictatorship. Thus the bell is destroyed and broken into a thousand pieces. However, the young rioters set up a police regime that turns out to be worse than the previous one. In the third act, instead of the bell, an amusement park is visible that attracts especially young people. But it is not said that this is the best world that the elderly dreamed of,  at the time of the terrible bell.

Act One

First scene

In the background of the scene there is a huge iron gray bell surrounded by barbed wire. Numerous signs, although not readable by all the public, indicate the ban on entry beyond barbed wire. A path runs along the barbed wire. Two lovers are embraced at the bottom of the path. On both sides of the scene there are two doors: the one to the right gives access to the scene; the other serves the exit from the scene, on the left; on the left a small table with four chairs. Two women are walking in the path, in the opposite direction of  the young lovers, when the scene begins.

 

First woman (making the sign of the Cross)

- Let us make the Cross, for  we are passing in a holy place or in a place of demons!

Second woman (she also makes the Cross and looks towards the bell, gesturing to stop)

- What is it, mistress?

First woman (pulling her forward,  without deliberately looking towards the bell, but seeing the two lovers behind them)

-Don't stop, please. Come with me!

Exeunt

 

Second scene

(The two lovers. She brings him towards the center of the scene, trying to get as far away from the fence as possible)

 

Irene (taking him away, towards the center of the scene)

- But Carlo, why  have you brought me right here?

Carlo (trying to embrace her)

- Here or elsewhere, what does it matter? As long as we are alone ...

Irene (shivering)

- Let's go, please! I'm scared. This place inspires me terror ... (still shivering)

 

Carlo (like before,  in a resentful tone, feeling like a rejected lover)

- Come on, don't be silly. We haven't seen each other all week through and now you're messing around  with these stories here ...

Irene

- Don't take it up! What I’ve  heard about this damned bell makes me feel really  afraid of it!

Carlo (with a certain grit)

- All bullshit! Ignorance, superstitions!

Irene

- But do you know who brought the bell here? Or has it always been there?

Carlo

- Bah, I've always known it right there! But my father says they  have found it there, suddenly, like falling from the sky!

Irene (pointing the bell)

- You can see I'm right, then! It has something sinister and mysterious ... But do any people live inside there?

Carlo

- They say don’t, but I think there is someone inside. Otherwise it  wouldn’t  be fenced with barbed wire and signed "Do not cross" everywhere.

Irene

- But is it  true that anyone who trespass the barbed wire goes crazy. Crazy and deaf to both ears?

Carlo

- But don’t be silly! Do you want to see that I jump over right now?

Irene (starting to tremble, in a pleading tone)

- God watch you! Let's go away, please. I'm scared.

They go out

Third scene

(Two men in working  clothes come out of the door that leads onto the scene and set off on the path)

 

First man

- Year of hunger, this year, my friend! Really bad!

Second Man

- Shut up, mate, please!

First Man (pointing to the land beyond the bell fence)

- At least they would give us the land of the bell; that is beautiful land. You know how many sheep we would feed there!

 

Second Man (with restrained voice and looking around circumspectly)

- Shut up, please! If anyone hears our speech, we might be in trouble! Don’t  you know that it is very dangerous? (Lowering his voice even more) They say that if there were no bell, at this time, we would be even more starving than ever.

First Man (even lowering his voice and going to the opposite door from which they entered)

- They are all stupid, believe me. It’s balderdash spread by Government to cheat the ignorant poor like us. Instead I tell you that ...

  

Scene Four

(Irene and her mom)

Irene

- Mom, yesterday I was here at the Bell with Carlo!

First woman

- But my daughter, are you crazy? But how many times have I told you that you don't have to come here for any reason?

Irene

- Ugh! But why? I want to know why?

First Woman

- How many things do you want to know! The reason is that it's dangerous here!

Irene

- Ehia, I understand! But for what reason is it dangerous?

First Woman

-        My daughter! What do you want mom to know about it! But for God’ sake, don't approach this cursed place! (lowering the voice) It is a place of demons! (She makes the Sign of the Cross)

Irene (frightened but curious)

- Is it true that so many people have gone mad?

First Woman (l.b.)

- Of course it's true! There are people who have no longer returned, people who have got  mad and people who have been found dead, frightened to death on the spot! (An increasingly loud bell is heard) Quickly, my daughter! Put your ear plugs on.

(they will put on the caps they have tied around their neck like acoustic headphones for music and they will quickly leave the scene)

 

 

Fifth scene

(four young people, just entered the scene, will take their place at the table)

First young person (like speaking to an imaginary assembly, while the other three young people will remain in the shadows)

- That's enough, comrades! (He will beat his fist on the table) This way  we can no longer continue! (he will pick up a sheet and read it aloud) "In the last twenty years we have had:  fifteen dead, found near the bell and other ten found dead inside the fence. Thirty deaf men, and countless  affected by nervous breakdown! The Bell must be removed from our bid! We  can't continue going this way!

Second young man (coming out of the light)

- But how are we going to remove it? we don’t have suitable means to remove it! It is too heavy !!!!

Third young man (he too comes out of the oxen to the light)

- We wrote to the King, to the Bishop, to the Major and the  bell didn’t  move at all! Whom are we going to ask now for any help?

Fourth young man (he will join the others in the light and in a decisive tone will declare the rebellion of the people)

- We have to do it by ourselves this time! The life is ours, the earth is ours! What do you think they care at the king, the Bishop and the Major? Let's rebel and raise the people and let’s go  together to destroy the Bell!

(to these words the imaginary assembly will react with cheers of consent)

EHIA! Hawk to the bell! All together ! Death to the Bell! Bell ringers to death! Everyone is master at home! Give  the poor the land!

 

End of Act One

sabato 12 settembre 2026

Traveling in spacetime with Virgil

 




https://www.amazon.com/dp/B0BTCCPJTQ?

ACT 1

First Scene

The Inquisitors of the Holy Inquisition

( Tommaso Cosimo Caccini,   Lodovico delle Colombe, Niccolò Lorini, Claudio Acquaviva, Benedetto Mandina , Jacopo Aldobrandini e don Pedro de Vera; one unnamed secretary and four friars; two soldiers; witnesses:   Scipione Prestinace, Giovanni Mocenigo, Francesco Graziano and friar Celestino from Verona; the Unnamed Witness;  Pope Clemens VIII’s envoy Alberto Tragagliolo; the devils of Loudun: Lucifer, the young Satan, Beelzebub, Leviathan, Elimi, and Astaroth; apart Dante and Virgil).

The lights get on over a square table where twelve people form a  judge board for heretic sinners, proponents of deism, scientific searchers, magician, witches, astrologers   and  fortune-tellers. On the table there are several ponderous books. The secretary has got a plume ink pen and writes down the assize’s record. Above the table, with block characters there a festoon with the write “Pigeon League”. On the left there is a door with a script “Astronomical Observatory”; still on  the left, much closer to the judges table,  another door with the script “Torture Room”; On the right a third door leads outside. At the table some cardinals, friars and a secretary chancellor.

President Tommaso Cosimo  Caccini: Eminent brothers and members of this holy assembly, we are conveyed to debate and sentence against all the enemies of Saint Roman Church: heretic sinners, proponents of deism, scientific searchers, witches, wizards, astrologers   and  magicians. But above all we fear the asserters of reason. They want to destroy the church for they fight against the pope’s authority which, as we all know, in founded on the sacred scriptures, the only dogmatic truth. They are the darkness posing as light, the blasphemy pretending to be science, the falsehood impersonating the truth. In one word they are the antichrist came on earth to destroy the world! (to the soldiers) Let the first witness enter!

The First Guard opens the Astronomical  Observatory Door

Secretary: (screaming out loudly) Scipione Prestinace!

 

 

 

Second Scene

(all the above said plus Scipione Prestinace)

Scipione Prestinace: Your Eminences! I’ve seen him! The man from Stilo! He’s building the City of the Sun! (after witnessing, like all witnesses,  he will stay on the back of the room)

Card. Caccini: That’s enough! Call the second witness!!!

Secretary: Giovanni Mocenigo!

Third Scene

(all the above said plus Giovanni Mocenigo)

Giovanni Mocenigo (breaks in almost breathless): The friar from Nola is over there! He’s laughing and mocking like a crazy man! Come yourselves and see through the Telescope that I’m telling the truth!!!

Lodovico delle Colombe (to card. Caccini): Shall we go and see?

Card. Caccini (in a angry way): I’ll never look through that devilish tool! Let another witness come!

Secretary: Francesco Graziano!

Fourth Scene

(all the above said plus Francesco Graziano)

Francesco Graziano (comes in timidly): Good day your eminences…

Nicolò Lorini: What can you testify of those heretic people?

Francesco Graziano: I’ve heard many of them saying the earth moves on along the sun!

A buzz will rise powerful through the accusers

Claudio Acquaviva: What other proves do we need!!”! They are denying the Holy Books!!!

Card. Caccini: Let’s hear the fourth  witness!

Secretary: I call for  Frà Celestino from Verona

Fifth Scene

(all the above said plus Fra’ Celestino)

Fra Celestino: Your Eminences I have heard people saying the pope is not unfailing and that it cannot  be believed what cannot be demonstrated by means of scientific evidence; and furthermore the Almighty cannot intervene in human affairs for He has created the world and nothing more cares of it!

Don Pedro de Vera: That’s unbelievable to be heard!

Card. Caccini We have  a last witness, haven’t we?

Secretary: Come the last witness!!

 

Sixth Scene

(all the above said plus the Unnamed Witness)

The last witness (is a dark, hooded  men with a sheepskin on his hands) I bring the list of the black men with the books of blasphemy they have written against the unique truth: Galileo Galilei, Hugo Grotius, John Comenius, René Descartes, Francis Bacon, Johannes Keplero, Isaac Newton, John Locke, David Hume, Immanuel Kant…

Benedetto Mandina: I think that’s enough!

Jacopo Aldobrandini: Let’s them burn all!

Card. Caccini (with imperative voice): Silence please!It’s time to issue our sentence!!!!

Seventh Scene

(Enter the Devils of Loudun:  Lucifer, the young Satan,  Beelzebub,  Leviathan, Elimi,
and 
Astaroth. They wear spears of iron, tightens and tridents; all of them are horribly dressed and infuse great terror in the judges and in all the present people)

Lucifer: I also have to issue a sentence in the name of all the guilty magicians, alchemist and witches you have burn through the time and on revenge of those, much more numerous, you have unjustly condemned.

Card. Caccini (in  a desperate attempt): Vade retro Satana!

Satan (laughing). Hey, don’t misunderstand!!! Satan is me oh man!!! I could go back if you held the Holy Cross! But you have dismissed it since longtime!!!

Beelzebub (with a fierce grin): Enough with the talk!!! Let’s go to have the great orgy on torture!

(forced and planted by the arms’ devils all the judges, the guards and the witnesses are pushed into the room of torture; the devils will do that with outrages and obscene phrases against the religious men. After all the men are inside the torture room appear on the stage Dante and Virgil.)

 

Height  Scene

(Dante and  Virgil)

Dante (clearly frightened). What is going to happen to them?

Virgil: Don’t feel sorry for them, my son!!!That’s the law of counterfeiting!!! The evil they made to the others will be inflicted them by those devils!!!

(horrible screamers and terrible howls will be heard from inside the torture room)

Dante (shivering): Oh that is so frightening!!!

Virgil: Take courage my son!!! That’s the Hell not a walk for seminarians and novices!!!

(from a dark corner a man silently appears walking like in trance, praying with rosary in his hands; he’s a man of medium size and  strong looking; he wears a black  hooded habit, sandals and a shoulder bag)

Ninth Scene

(the above said and Alberto Tragagliolo)

Dante (recovering behind his master with trembling voice): Look my master…there is someone coming up…

Virgil (with a cold blood voice): Who are you, in the name of God!!!

Alberto Tragagliolo: In the name of God my name is Alberto Tragagliolo, father commissary of pope Clement the VIII for the Roman Holy Inquisition. I came from Piacenza and I was also called as Drago!!!

Dante: It’s why you are a dragon that those bloody devils didn’t pick you up with the others?

Virgil: No, my son! Haven’t you heard Satan?

Alberto Tragagliolo (showing the holy rosary still in his hand) It’s because of this!!! Furthermore I was sent to the assembly on defense of some defendant…’ you know? I don’t even know why I’m here…

Dante: What we are going to do with him, master?

Virgil: We cannot leave him here, can we?

Alberto Tragagliolo: Might God compensate you for your generosity…

Virgil: But father, I must warn you, we are simply moving to another circle of this same Hell!

(other terrible screams will be heard from the torture’s room)

Alb. Tragagliolo (pointing the torture’s room): Anywhere else will be better than that!!!

Virgil: Let me see! (to Dante) Tell me son: would you like to visit the Era of Enlightenment or you want to see directly the French Revolution?

Dante (thinking about it and pointing the empty table where the judges sat just shortly before): As far as I understood we have already assisted the struggle between science and  reason by one side and blind faith and religion  by the other side, haven’t we?

Virgil: Though is not so simple as you put it, I would say you are right… you’re really a quick pupil anyway!!!

Dante: Thank you so much my master, but it’s you who are a great schoolmaster!!!

Virgil: Don’t be so humble, my son!!! So, my friend, before going to Paris we could accompany you  in London. What do you think about?

Alb. Tragagliolo (sheepish but still grateful) I’m in your hands sir!!!

Virgil: Of course it won’t be easy at all… have you some money with you?

Alb. Tragagliolo: Sure I do!!

Virgil: And you need  a new identity…

Alb.Tragagliolo: I’ve some clothes in my bag; may I go to wear them before we leave?

Virgil (pointing the Observatory Room): You can go there; and be quick please!

Alb. Tragagliolo: Thanks sir! I’ll be ready in a couple of minutes!!! (exits)

 

Tenth Scene

 (Dante and Virgil)

Dante (suspiciously): Who is he, master? Won’t you believe to his  story of being a pope’s emissary?

Virgil: Don’t worry my son! I know very well who is him…

Dante (looking forward): Please let me know it , before he’s back!

Virgil: He’s a master ascended!

Dante (curiously surprised): What do you mean by a  master ascended?

Virgil: He’s a body no longer subject to laws of gravity and death…

Dante (fascinated and admired): How is it possible?

Virgil: In some way they succeed in melting the  body and the soul together…

Dante (l.b.): Really great!!! Almost unbelievable… But there are many of them?

Virgil: No really; only a few…

Dante: Are them good guys?

Virgil: They are tolerated…

Dante: But are them destined to be saved?

Virgil: It’s up to them to save their souls… Normally they choose to live pursuing material aims…

Dante: Can I have some names?

Virgil: They are really a few, as I told you. Something tells me that our friend he’s going to pretend to be the Count of Saint-Germain… or may be Swedenborg Emmanuel… Louis Claude de Saint Martin or even, who knows?, Antoine Fabre d’Olivet… It depends on what and whom he founds in London!

Dante: But why do you want bring him to London?

Virgil: I’ll suggest  him to search the Conte Cagliostro right in London…

Dante: But do belong all these masters ascended to a caste  of nobility?

Virgil (laughing): O no, my son! Conte Cagliostro is only a skilled falsary… He can help him to acquire any identity…Watch out, son!!!Here he comes!!!

Eleventh Scene

(the above said and Alberto Tragagliolo)

 (A very elegant man appears coming out from the Astronomical Observatory)

Dante: May I ask him something before we go?

Virgil: Anything but his past or his next identity…

Dante (with sighs of nostalgia): No, master! I want ask him something of my Florence…

Alb. Tragagliolo: I’m ready! Shall we go?

Virgil: You look  really dressy!

Alb. Tragagliolo: Thank you sir!

Dante: Have you ever been to Florence?

Alb. Tragagliolo (looking with suspicion): What are you  asking it for?

Dante: I’m from Florence, ‘ you know?

Alb. Tragagliolo: Are you really? What’s your name?

Dante: My name is Dante Alighieri…

Alb. Tragagliolo (surprised): Dante Alighieri? Do you mean Durante degli Alighieri, the poet?

Virgil: Right him, man!!!

Dante (humbly): And he’s Publius Vergilius Maro my schoolmaster!!!

Alb. Tragagliolo (changing attitude): Dante Alighieri the Florentine and Virgil from Mantua!!!I’m very sorry I didn’t recognize you! I’m honoured to meet you! But what the hell are you two doing here?

Virgil (cutting shortly): We’re just travellers! This is not our place; at least, not more than it is for yourself!!!

Alb. Tragagliolo: I see….

Dante: Can you please answer to my question now?

Alb. Tragagliolo: Of course I can! I was in Florence in 1348, escaping the Black Death with Giovanni Boccaccio ‘till when the Ciompi’s Revolt took place. And I went  back to Florence, in the following century, among the new people,  at the time Cosimo de’ Medici took power.   But I spent my best years with his grandson Lorenzo, known as The Magnificent, who succeeded Piero  de’ Medici in 1469. Lorenzo was a great patron of the arts, commissioning works by Michelangelo, Leonardo da Vinci and Botticelli. Lorenzo was an accomplished poet and musician and brought composers and singers to Florence, including Alexander Agricola, Johannes Ghiselin, and Heinrich Isaac. I left  when,  following  the French king Charles VIII invasion, the Florentines rebelled  and expelled Lorenzo’s son  Piero the Second, so restorating a republican government. You surely know that during this period, the Dominican friar Girolamo Savonarola had become prior of the San Marco monastery in 1490. He was famed for his penitential sermons, against  widespread immorality and attachment to material riches. He blamed the exile of the Medici as a divine  punishment for their decadence. He seized the opportunity to carry through political reforms leading to a more democratic rule. But when Savonarola publicly accused Pope Alexander VI of corruption, he was banned from speaking in public. When he broke this ban, he was excommunicated. The Florentines, tired of his extreme teachings, turned against him and arrested him. He was convicted as a heretic and burned at the stake on the Piazza della Signoria on 23 May 1498. Fortunately the Medici took back the power, at the time  Niccolò Machiavelli rose his fame thanks to his political handbook, titled The Prince, which is about ruling and the exercise of power. Machiavelli also wrote the Florentine Histories, the history of the city.

Dante: I’ve read both the Prince and the Florentine Histories!

Alb. Tragagliolo: I was sure you did! So you have learned the Florentines drove out the Medici for a second time and re-established a republic on 16 May 1527. Restored twice with the support of both Emperor and Pope, the Medici in 1537 became hereditary dukes of Florence, and in 1569 Grand Dukes of Tuscany, extending its power even to Siena and Pistoia. Actually all Tuscany but Lucca and Piombino.

Dante: I’ve also read all this.

Alb. Tragagliolo: As a matter of fact the great family of Medici had three Popes and two Queens of France, in addition of many cardinals. Furthermore they were the richest bankers of that time! And that’s all I’ve seen with my eyes; for  the rest is for hearing… ‘you know?

Dante: May be I should be proud of that but I feel so sad instead!

Virgil: Well, it seems that your republic has not performed at its best!

Dante: Small consolation indeed!

Virgil: Shall we go? Our spaceship is waiting for us to go!!!

Alb. Tragagliolo: I’m ready sir!

Dante: Let’s go master!

exeunt

to be continued...