last moon

Visualizzazione post con etichetta evil. Mostra tutti i post
Visualizzazione post con etichetta evil. Mostra tutti i post

giovedì 6 giugno 2024

Traveling in spacetime with Virgil

 

 Traveling in  space-time with Virgil

A drama in a prologue, three acts and forty four scenes

by ignazio salvatore basile

 

 

Characters

Virgil:  a Latin dead poet

Dante: an   Italian poet still alive

Men from  Hell

Tommaso Cosimo Caccini,   Lodovico delle Colombe, Niccolò Lorini,

Claudio Acquaviva, Benedetto Mandina , Jacopo Aldobrandini

e don Pedro de Vera: Judges  Inquisitors of the Holy Inquisition in the Galileo’s Trial

Witnesses and Guards at Galileo’s trial

Alberto Tragagliolo: a timeless Florentine

Five Devils of Loudun

Sneezy, Freezy; Slippy, Drippy, Nippy,Showery, Flowery, Wheezy,

Bowery; Hoppy, Croppy, Poppy: Dwarves of French revolution;

James Morton and Lord Digheels: two damned from hell

 

Ferdinand Walsin Esterhàzi, Eduard Drumont, Major du Platy de Clam

and General Mercier and Alphonse Bertillon damned in the Devil’s Island

 

Harold Frederick Shipman,  Irving Roy Cohn, Censors and Gunmen: Sinners from the Great Circle

 

Reverend Jones Marshall Herff Applewhite Jr, Jim MCelvane, Judy IJames

 and  Joyce Touchette: People of the Temple

 

David Berg Karen Zerby and Kathleen Maddox: other guests in the Hell

Ealk : Great Beast, guardian of the Ante Hell

Waitress

Eleanor of Sardinia and  Brancaleone Doria: good people from Purgatory

T.C.B., J.L., J.H., J.M., J.B., B.M.,S.B., B.J., M.D., E.P.,J.R.

and  L.H. : guitar players and other musicians from Purgatory

Angels from Paradise

Beatrice: a beautiful celestial lady.

 

 

Prologue

Somewhere in the space  the Latin poet Virgil and the Italian poet Dante meet again, after almost seven hundred years, for starting a new journey on the universe of human vices and virtues.

Virgil will lead Dante Alighieri, as a guide, across the space-time, through as many different  levels of the human vices, as many centuries have passed by from their first journey.

They will travel  together  through the hell of  desperation up to the hope of repentance of purgatory. At the third level Dante eventually meets Beatrice who will lead him to the true love shore of Paradise.

Scene 1

Dante and Virgil

An aseptic room. On the left a door communicates outside. On the right a spiral staircase leads upside where the spaceship awaits for Virgil and Dante to go. In a total darkness the creak of an opening door. Dante will desperately call for his master Virgil.

 

Dante (a frightened voice in the darkness): May I come in? Is anyone there…? Schoolmaster!!! Are you there? Please answer me… for God’s sake…

(After a short but heavy silence’s time, a scrubbing sound of a lighting match will be heard in the darkness. Then a candle will light an old man sit down at a table covered by piles of books, papers and maps.

Virgil (after reawakening,  he lights the candle ): I must have fallen asleep…Who is in there???

Dante (still trembling): Is it you, master?

Virgil: (going to meet Dante, hardly recognizes his friend, lighting his face) Dante…? My son!!! Why are you so shattered and distraught??? What happened to you???

Dante (getting closer to his master, almost crying in a mixture  of joy and relief ) Oh, Virgil, masterly teacher of my trembling soul… if you only knew what I have gone through…

Virgil (placing his candle on the table, embracing him with protective affection): It’s all right now, my son…

Dante (falling on his arms, starts crying and sobbing): It has been really very hard outside there, in the darkness… I saw death in the face…

Virgil (l.b.): Please, take a sit, my son… It’s all over now…

Dante(reacquiring some trust): Thanks to God I’m with you now…

Virgil (l.b. pouring a glass of water from a jar on the table) Of course… It will be all right now… Please have some water…

Dante (drinking with desire the water): I have escaped three horrible beasts…

Virgil: Have you?

Dante (trembling again and looking afraid at the door): Yes… A tiger, a serpent and a monkey persecuted me up to here…

Virgil: Be calm now… they can’t surely get inside here…

Dante (reassured he looks gratefully at Virgil): I know they can’t my sweet master…

Virgil (with a gesture of affection): Forget about everything now…Are you still determined to take over our journey?

Dante (with a sigh of relief): More than ever master! With you by my side I can face anything fearless!!!

Virgil: (pointing out the spiral staircase)  Don’t you fear to face a long and risky journey  through the Universe with that spaceship?

Dante: Not at all, master!!! I told you: I’m ready to go anywhere with you by my side!!!

Virgil (taking a map on his hands): Let’s talk about it then! Everything is ready… I’ll show you…Do you know what is this?

Dante (bending on the map): Well … I see two cones turned upside down …

Virgil: Come on! It’s an astronomic figure!!!

Dante: I’m sorry…It might be a double cone diagram …

Virgil: That’s better. The bottom cone  represents the past and the  light cone, instead, is future! The point where the apices meet is the present; so we are here now , can you see it?

Dante (pointing the map): Yes master, I surely can! But what is this kind of spiral down here ?

Virgil: The Great Spiral contains all the human’s history, since our brain can retain trace of it…Every concentric circle corresponds to a century time… the inner you go to the center, the nearer you get closer to our ancestral roots, do you get me?

Dante (with a thrill of excitement): That’s makes me feel a bit lost…It’s all so stately… so magnificent…

Virgil: Of course it is! We are talking about the space-time…That’s what the spiral really represents…

Dante (like lost in the clouds): That’s would be fantastic…

Virgil (preventing and reassuring him ): It’s out of our route to travel the warped direction… we’ll walk  the expanding  direction instead…  with our spaceship we’ll intersect the space time right here (he points up with a finger the map)… at the beginning of the fourteenth century and from there we’ll continue towards the present;

Dante (surprised and excited): But that’s the anniversary of my exile  from Florence!!!

Virgil (with an accomplishing smile): Of course! Right the 1302… Don’t you want to know what happened after your left the town???

Dante (enthusiastically): So I’ll be able to see my beloved wife???

Virgil (beating him dear on his head): Have you forgotten we are going to visit the Hell??? You’ll see her in Paradise!!! Or at least in the Purgatory realms…

Dante (disappointed but thoughtful): I’m sorry master… I didn’t forget it but for a while  I thought it might me a sort of passageway in the way to hell… ‘you know?

Virgil: Not at all, my son. Look! All along the spiral’s arms we’ll find the different circles of Hell; in its last part we’ll be in the so called Ante Hell; but here (he points  the map again), where the final part of the spiral almost touches the present’s point we’ll aim the peaks of Purgatory…

Dante (with lively curiosity): so I may argue that the Hell is in the same dimension of past life?

Virgil (complying with satisfaction): That’s right my dear learner. As a matter of fact the right established punishment for the sinners is to stay in the unhappy condition of human life forever, without evolving in a better life like we’ll see for the Purgatory and, above all, for the praised of Paradise!

Dante: I see…

Virgil: Don’t be disappointed. Can’t  you imagine a worse punishment than sharing your own time only with the evil without any good at all?

Dante (positively thoughtful): Of course you’re right…

Virgil: Put it this way: you’ll be able to see your enemies… those who exiled you… lost forever in their thirst of power, in the vacuity of  their nothingness… and those who betrayed you…

Dante: I’m not sure to want such a revenge…

Virgil: That goes to your praise and merit…Aren’t you curious about the destiny of the big priest Boniface? Charles landless Valois? And what about Raniero Zaccaria?

Dante: (sadly) I would prefer to forget them!

Virgil: You don’t have to stop forcedly with them…We can decide the first stop   in advance by the on board controls…

Dante: Do you mean we can land anywhere in the spiral lines of space-time?

Virgil: That’s exactly what I mean!

Dante: I fear to face events too close to my own story…

Virgil: There’s no problem, my son. We can go straight way to any of the circles of any century!!!

Dante : As far as I know something about some good guys I could really go further..Can I know only a few names before we go?

Virgil: Go ahead with the names please!

Dante: (thirstily) Giovanni Boccaccio,  Cino da Pistoia, Pieraccio Tebaldi, Bosone da Gubbio, Geoffrey Chaucer, Johannes Gutenberg  and his  pupil  Johann Numeister!

Virgil: You’ll find them all in the Purgatory or maybe  in the eternal joy of Paradise!

Dante (with a sigh of relief): I think they deserve it, don’t you master?

Virgil: It’s not up to me to decide, not even to discuss such matters…

Dante: I’m sorry master…

Virgil (overflying any argument): Have you got any other name?

Dante: Can you just tell me something about a certain Francesco, the son of my friend, the notary Ser Petracco?

Virgil: Despite everything he has deserved to play another chance to reach Paradise..at least for literary merits… Don’t you think so?

Dante (bewildered, pedantly listing ): Well, I surely prefer  Rinaldo Cavalchini, Menghino Mezzani, Manuello Romano, Giovanni Quirini, Angelo Poliziano, Luigi Pulci, Lorenzo di Pietro, Giovanni di Paolo, Cristoforo Landino, Franco Sacchetti, Leonardo Bruni, Francesco da Barberino and …

Virgil: (cutting him straight) That’s ok, my son! I have got your point of view!!! May be you would like to make our first  stop further in the fifteenth or in the sixteenth century…

Dante (changing attitude, almost apologizing): Oh, the sixteenth  is my favorite one..so full of art…discoveries…new ideas…

Virgil: I’m with you… you can start from there our journey… if you want to…

Dante: Well, it depends from the people we might find over there…in the lines of the infernal spiral I mean…

Virgil: You can make some names, if you want…

Dante: I have a great number in mind…

Virgil: Make ten of them… just to start…

Dante: Let me see… I would start with… Martin Luther,  Nicolaus Copernicus, Leonardo Da Vinci, Niccolò Machiavelli, Michelangelo Buonarroti, William Barker, John Calvin, Sandro Botticcelli, Tintoretto, Luca Marenzio…

Virgil: All in Paradise!!!

Dante: That’s good!!!

Virgil: Any more names?

Dante: Oh, I’ve a great copy… Why don’t you tell me,  master, some names worth to be heard? I would be so grateful…

Virgil: (surprised): Well, there are really plenty. What do you think of Hernan Cortes?

Dante: Do you mean the Spanish conquistador?

Virgil: That’s him, my son…

Dante (a bit upset): Speaking  about Spanish people I would prefer to talk with Diego Guillén de Avila,  Pedro Fernandes de Villegas or with Pedro de Padilla, ‘you see?

Virgil: Well, of course I see, but they are all guys of Paradise…

Dante (quite mortified): I’m really sorry, master…

Virgil (with resolution): Never mind! Do you have any  other names?

Dante: if I were assured about some other figures I would ask you to start straight to the beginning of the seventeenth century…

Virgil: Whom would you like to know of?

Dante: Raffaello Sanzio, Giorgio Vasari, Sir Francis Drake, Amerigo Vespucci, Giovanni Bellini, Adriano Bancheri, Anne Boleyn, John Calvin, Catherine de Medici, Mary Queen of Scots, Charles the Fifth, Nostradamus, Ivan the Terrible, GianPierLuigi da Palestrina, Michel de Montaigne…

Virgil: All of them out of the Great Spiral except for Francis Drake, Nostradamus  and Ivan the Terrible!!!

Dante: (very thoughtful) I’m in two minds… I’m not sure I want to stop just for three names…May I ask for any others?

Virgil: Come on with your last names then!!!

Dante (in one breath): Oliver Cromwell, Johannes Keplero, William Shakespeare,  Cervantes, John Donne, Francis Bacon, Renè Descartes, Thomas Hobbes, Walter Releigh, Mazarino and Richelieu…

Virgil: Only Richelieu and Mazarino have got trapped on the Infernal spiral! But all these names lead us straight to the seventeenth century!!!!

Dante: Very well! I’m ready for the 17th century now!!!

Virgil: Let’s go then!!!

(while they go towards to the staircase which leads to the spaceship the lights will be off)

 

 

 

 


 

domenica 28 aprile 2024

Traveling in the spacetime with Virgil

 


https://www.amazon.co.uk/dp/B0BTCCPJTQ




Traveling in space-time with Virgil

A drama in a prologue, three acts and forty four scenes

by ignazio salvatore basile





Characters

Virgil: a Latin dead poet

Dante: an Italian poet still alive

Men from Hell

Tommaso Cosimo Caccini, Lodovico delle Colombe, Niccolò Lorino, Claudio Acquaviva,  Benedetto Mandina , Jacopo Aldobrandini

e don Pedro de Vera: Judges Inquisitors of the Holy Inquisition in the Galileo’s Trial

Witnesses and Guards at Galileo’s trial

Alberto Tragagliolo: a timeless Florentine

Five Devils of Loudun

Sneezy, Freezy; Slippy, Drippy, Nippy,Showery, Flowery, Wheezy,

Bowery; Hoppy, Croppy, Poppy: Dwarves of French revolution;

James Morton and Lord Digheels: two damned from hell



Ferdinand Walsin Esterhàzi, Eduard Drumont, Major du Platy de Clam

and General Mercier and Alphonse Bertillon damned in the Devil’s Island



Harold Frederick Shipman, Irving Roy Cohn, Censors and Gunmen: Sinners from the Great Circle



Reverend Jones Marshall Herff Applewhite Jr, Jim MCelvane, Judy IJames

and Joyce Touchette: People of the Temple



David Berg Karen Zerby and Kathleen Maddox: other guests in the Hell

Ealk : Great Beast, guardian of the Ante Hell

Waitress

Eleanor of Sardinia and Brancaleone Doria: good people from Purgatory

T.C.B., J.L., J.H., J.M., J.B., B.M.,S.B., B.J., M.D., E.P.,J.R.

and L.H. : guitar players and other musicians from Purgatory

Angels from Paradise

Beatrice: a beautiful celestial lady.





Prologue

Somewhere in the space the Latin poet Virgil and the Italian poet Dante meet again, after almost seven hundred years, for starting a new journey on the universe of human vices and virtues.

Virgil will lead Dante Alighieri, as a guide, across the space-time, through as many different levels of the human vices, as many centuries have passed by from their first journey.

They will travel together through the hell of desperation up to the hope of repentance of purgatory. At the third level Dante eventually meets Beatrice who will lead him to the true love shore of Paradise.

Scene 1

Dante and Virgil

An aseptic room. On the left a door communicates outside. On the right a spiral staircase leads upside where the spaceship awaits for Virgil and Dante to go. In a total darkness the creak of an opening door. Dante will desperately call for his master Virgil.



Dante (a frightened voice in the darkness): May I come in? Is anyone there…? Schoolmaster!!! Are you there? Please answer me… for God’s sake…

(After a short but heavy silence’s time, a scrubbing sound of a lighting match will be heard in the darkness. Then a candle will light an old man sit down at a table covered by piles of books, papers and maps.

Virgil (after reawakening, he lights the candle ): I must have fallen asleep…Who is in there???

Dante (still trembling): Is it you, master?

Virgil: (going to meet Dante, hardly recognizes his friend, lighting his face) Dante…? My son!!! Why are you so shattered and distraught??? What happened to you???

Dante (getting closer to his master, almost crying in a mixture of joy and relief ) Oh, Virgil, masterly teacher of my trembling soul… if you only knew what I have gone through…

Virgil (placing his candle on the table, embracing him with protective affection): It’s all right now, my son…

Dante (falling on his arms, starts crying and sobbing): It has been really very hard outside there, in the darkness… I saw death in the face…

Virgil (l.b.): Please, take a sit, my son… It’s all over now…

Dante(reacquiring some trust): Thanks to God I’m with you now…

Virgil (l.b. pouring a glass of water from a jar on the table) Of course… It will be all right now… Please have some water…

Dante (drinking with desire the water): I have escaped three horrible beasts…

Virgil: Have you?

Dante (trembling again and looking afraid at the door): Yes… A tiger, a serpent and a monkey persecuted me up to here…

Virgil: Be calm now… they can’t surely get inside here…

Dante (reassured he looks gratefully at Virgil): I know they can’t my sweet master…

Virgil (with a gesture of affection): Forget about everything now…Are you still determined to take over our journey?

Dante (with a sigh of relief): More than ever master! With you by my side I can face anything fearless!

Virgil: (pointing out the spiral staircase) Don’t you fear to face a long and risky journey through the Universe with that spaceship?

Dante: Not at all, master!!! I told you: I’m ready to go anywhere with you by my side!!!

Virgil (taking a map on his hands): Let’s talk about it then! Everything is ready… I’ll show you…Do you know what is this?

Dante (bending on the map): Well … I see two cones turned upside down …

Virgil: Come on! It’s an astronomic figure!

Dante: I’m sorry…It might be a double cone diagram …

Virgil: That’s better. The bottom cone represents the past and the light cone, instead, is future! The point where the apices meet is the present; so we are here now , can you see it?

Dante (pointing the map): Yes master, I surely can! But what is this kind of spiral down here ?

Virgil: The Great Spiral contains all the human’s history, since our brain can retain trace of it…Every concentric circle corresponds to a century time… the inner you go to the center, the nearer you get closer to our ancestral roots, do you get me?

Dante (with a thrill of excitement): That’s makes me feel a bit lost…It’s all so stately… so magnificent…

Virgil: Of course it is! We are talking about the space-time…That’s what the spiral really represents…

Dante (like lost in the clouds): That’s would be fantastic…

Virgil (preventing and reassuring him ): It’s out of our route to travel the warped direction… we’ll walk the expanding direction instead… with our spaceship we’ll intersect the space time right here (he points up with a finger the map)… at the beginning of the fourteenth century and from there we’ll continue towards the present;

Dante (surprised and excited): But that’s the anniversary of my exile from Florence!!!

Virgil (with an accomplishing smile): Of course! Right the 1302… Don’t you want to know what happened after your left the town???

Dante (enthusiastically): So I’ll be able to see my beloved wife???

Virgil (beating him dear on his head): Have you forgotten we are going to visit the Hell??? You’ll see her in Paradise!!! Or at least in the Purgatory realms…

Dante (disappointed but thoughtful): I’m sorry master… I didn’t forget it but for a while I thought it might me a sort of passageway in the way to hell… ‘you know?

Virgil: Not at all, my son. Look! All along the spiral’s arms we’ll find the different circles of Hell; in its last part we’ll be in the so called Ante Hell; but here (he points the map again), where the final part of the spiral almost touches the present’s point we’ll aim the peaks of Purgatory…

Dante (with lively curiosity): so I may argue that the Hell is in the same dimension of past life?

Virgil (complying with satisfaction): That’s right my dear learner. As a matter of fact the right established punishment for the sinners is to stay in the unhappy condition of human life forever, without evolving in a better life like we’ll see for the Purgatory and, above all, for the praised of Paradise!!!

Dante: I see…

Virgil: Don’t be disappointed. Can’t you imagine a worse punishment than sharing your own time only with the evil without any good at all???

Dante (positively thoughtful): Of course you’re right…

Virgil: Put it this way: you’ll be able to see your enemies… those who exiled you… lost forever in their thirst of power, in the vacuity of their nothingness… and those who betrayed you…

Dante: I’m not sure to want such a revenge…

Virgil: That goes to your praise and merit…Aren’t you curious about the destiny of the big priest Boniface? Charles landless Valois? And what about Raniero Zaccaria?

Dante: (sadly) I would prefer to forget them!

Virgil: You don’t have to stop forcedly with them…We can decide the first stop in advance by the on board controls…

Dante: Do you mean we can land anywhere in the spiral lines of space-time?

Virgil: That’s exactly what I mean!!!

Dante: I fear to face events too close to my own story…

Virgil: There’s no problem, my son. We can go straight way to any of the circles of any century!!!

Dante : As far as I know something about some good guys I could really go further..Can I know only a few names before we go?

Virgil: Go ahead with the names please!!!

Dante: (thirstily) Giovanni Boccaccio, Cino da Pistoia, Pieraccio Tebaldi, Bosone da Gubbio, Geoffrey Chaucer, Johannes Gutenberg and his pupil Johann Numeister!

Virgil: You’ll find them all in the Purgatory or maybe in the eternal joy of Paradise!

Dante (with a sigh of relief): I think they deserve it, don’t you master?

Virgil: It’s not up to me to decide, not even to discuss such matters…

Dante: I’m sorry master…

Virgil (overflying any argument): Have you got any other name?

Dante: Can you just tell me something about a certain Francesco, the son of my friend, the notary Ser Petracco?

Virgil: Despite everything he has deserved to play another chance to reach Paradise..at least for literary merits… Don’t you think so?

Dante (bewildered, pedantly listing ): Well, I surely prefer Rinaldo Cavalchini, Menghino Mezzani, Manuello Romano, Giovanni Quirini, Angelo Poliziano, Luigi Pulci, Lorenzo di Pietro, Giovanni di Paolo, Cristoforo Landino, Franco Sacchetti, Leonardo Bruni, Francesco da Barberino and …

Virgil: (cutting him straight) That’s ok, my son!!! I have got your point of view!!! May be you would like to make our first stop further in the fifteenth or in the sixteenth century…

Dante (changing attitude, almost apologizing): Oh, the sixteenth is my favorite one..so full of art…discoveries…new ideas…

Virgil: I’m with you… you can start from there our journey… if you want to…

Dante: Well, it depends from the people we might find over there…in the lines of the infernal spiral I mean…

Virgil: You can make some names, if you want…

Dante: I have a great number in mind…

Virgil: Make ten of them… just to start…

Dante: Let me see… I would start with… Martin Luther, Nicolaus Copernicus, Leonardo Da Vinci, Niccolò Machiavelli, Michelangelo Buonarroti, William Barker, John Calvin, Sandro Botticcelli, Tintoretto, Luca Marenzio…

Virgil: All in Paradise!!!

Dante: That’s good!!!

Virgil: Any more names?

Dante: Oh, I’ve a great copy… Why don’t you tell me, master, some names worth to be heard? I would be so grateful…

Virgil: (surprised): Well, there are really plenty. What do you think of Hernan Cortes?

Dante: Do you mean the Spanish conquistador???

Virgil: That’s him, my son…

Dante (a bit upset): Speaking about Spanish people I would prefer to talk with Diego Guillén de Avila, Pedro Fernandes de Villegas or with Pedro de Padilla, ‘you see?

Virgil: Well, of course I see, but they are all guys of Paradise…

Dante (quite mortified): I’m really sorry, master…

Virgil (with resolution): Never mind! Do you have any other names?

Dante: if I were assured about some other figures I would ask you to start straight to the beginning of the seventeenth century…

Virgil: Whom would you like to know of?

Dante: Raffaello Sanzio, Giorgio Vasari, Sir Francis Drake, Amerigo Vespucci, Giovanni Bellini, Adriano Bancheri, Anne Boleyn, John Calvin, Catherine de Medici, Mary Queen of Scots, Charles the Fifth, Nostradamus, Ivan the Terrible, GianPierLuigi da Palestrina, Michel de Montaigne…

Virgil: All of them out of the Great Spiral except for Francis Drake, Nostradamus and Ivan the Terrible!

Dante: (very thoughtful) I’m in two minds… I’m not sure I want to stop just for three names…May I ask for any others?

Virgil: Come on with your last names then!

Dante (in one breath): Oliver Cromwell, Johannes Keplero, William Shakespeare, Cervantes, John Donne, Francis Bacon, Renè Descartes, Thomas Hobbes, Walter Releigh, Mazarino and Richelieu…

Virgil: Only Richelieu and Mazarino have got trapped on the Infernal spiral! But all these names lead us straight to the seventeenth century!

Dante: Very well! I’m ready for the 17th century now!

Virgil: Let’s go then!

(while they go towards to the staircase which leads to the spaceship the lights will be off)



domenica 13 giugno 2021

Bad and good poetry

 


I'm not so sure that we are right on distinguishing between good and bad poetry.

I prefer to talk of bad and good readers.

I mean that if someone reads a Dante's or a Keat's sonnet and she/he does not like it, there we have a bad reader, not certainly a bad poet.

May be we would talk of poetry and not poetry.

There is a long not interrupted line that ties poetry41, from the first known poets (king Salomon, Ben sirac, Homerus and the ancient greek-roman poets, till nowdays; and that's a line of love, universal brotherhood, friendship, deep sentiments but good sentiments.

We cannot call poetry writing on denying  Naziskin  Holocaust or on racism hate and human distruction!

That's just not poetry at all.

Otherwise, who is going to select good and bad poetry'

Good and bad art? 

Do we remember great painter Van Gogh?

At his time he was not certainly considered to be a good artist but who dares today to say he's not?

Does poetry belong to evil and all the other stuff don't?

So, better no to talk of good and bad poetry. 

lunedì 9 dicembre 2013

The devil tempts Jesus in the desert



From Chapter 4 of Saint Mathew's Gospel
VV 1-11


In that time the Spirit pushed
Jesus in the desert where the demon
 Proved Him. For forty days resisted

Jesus Christ, with fast and preaches,
the hunger and the thirst! Then He was hungry.
-    “Why don't you turn in flour of mintage

these stones?” The weaver of lusts
said! –“Not only of bread lives
the man, but of every word which

comes from God it's written!” -, Jesus answered!
He was conducted to the Temple of the City

and Satan still tried Him: - “Throw yourself down,
and ask your angels to hold  You up
because it's written he doesn't have to bump against a stone
his foot'”–“Between the true writings

there is”–Jesus answered to  Satan–
“Don’t try your God and your Lord!”
Again Belzeboo, above the tallest rock

conducted him, tempting Him again.
He showed all the kingdoms of the world to Him,
with their glory and their honor

and  said: “If you worship me
all these things I will give to you!”
But Jesus answered: “Go away dirty thing!

It's written  that You'll worship only Your God
And only to Him you will make your cult!”
Then the devil had  to surrender,

going away without anymore insult.
And the angels approached Him
serving Him of any need!

mercoledì 5 settembre 2012

7 Things That Makes Nannies Fit In With Their Families




Being in this industry you have got to fit in people’s lives and in their family. Because once I don’t fit in with that family I am replaceable. – Justin
As I’ve tuned into Season 1 of Beverly Hills Nannies, perhaps no other words have been spoken as eloquently and accurately as these words by Nanny Justin in episode 5.
When nannies are seeking employment and parents are seeking caregivers for their children, the importance of finding the right nanny and family match is often overlooked. While of course a nanny’s experience, education, background, and references are essential in helping to determine if she is capable of providing quality childcare, these things don’t necessarily tell you how well a nanny is going to fit into the lives of the family with whom she’ll work.
So what makes a nanny fit in with her work family?
Lifestyle. While a nanny doesn’t necessarily have to share her work family’s lifestyle, she definitely has to embrace it for the relationship to work out. A nanny doesn’t have to be wealthy to work in Beverly Hills, but she certainly has to be comfortable working in an upscale environment where cutting coupons and penny pinching may not be allowed.  When a nanny and employer begin to judge each other’s lifestyle choices, tension will arise.
Parenting Philosophy. In any nanny and parent relationship, the parents are the final authority on how their children are raised. If a nanny believes children need limits and boundaries and the parents believe that children should never be told no, it will be difficult for the nanny to adapt and embrace the parent’s philosophy of childrearing. When the parents and nanny don’t share a similar parenting philosophy, conflict can occur.
Discipline Style.  If the parents are laid back, lax about house rules, and allow the children to speak to the nanny as they please, but the nanny prefers doling out time-outs for inappropriate behavior, stress will ensue.  Children strive with consistency of care, and when the nanny and parents aren’t on the same page there will be friction in the family home.
Moral Compass. Parents don’t necessarily want a clone of themselves helping to raise their children, but they do want someone who has the same perceptions of right and wrong and good and evil as they do. When the nanny and parents aren’t in moral alignment, the relationship can become strained. If a nanny is a huge supporter of PETA and feels that wearing fur is terribly wrong, and the family’s winter outdoor wardrobe consists of mink jackets and fox gloves, there’s going to be ill feelings.
Culture.  Nannies don’t have to share the same culture as their employing families, but they do have to respect the ideas, beliefs, and behaviors of the family for the relationship to succeed. A lack of acceptance of the family’s culture may lead to a lack of respect. Without mutual respect, the nanny and parent relationship will fail.
Commonalities. Nannies and parents don’t have to have everything in common, but those who do share some things in common are typically most comfortable around each other. Whether it is knowing the same people, practicing the same religion, driving the same kind of car, or having the same life priorities, generally speaking, the more the parents and nanny share in common, the better.
Value. Nannies fit into their families by meeting a felt need. When the need is met by the nanny, she brings value to the family. As the needs of the family change, the nanny must adapt and continue to meet the family’s changing needs. If the nanny doesn’t meet the family’s needs, she no longer brings value to the family and is viewed as replaceable.
Nannies who are not only skilled caregivers, but also fit into the lives of their work families seamlessly, typically tend to stay with their work family for several years and are viewed by them as indispensable. Once they no longer fit in, however, whether it is due to a change in the family’s circumstance, situation, or needs, they are considered more easily replaceable.
Fitting in with a work family is essential to employment success. Before nannies take on a new position and families a new nanny, the nanny and parents should be confident that the nanny will fit in well with the family and that they are truly a good match.

P. S. This post was  proposed to me for publication by  Abby Nelson. I'm therefore publishing it by her invitation and under her permission. See also the link below fore more information:

 http://www.nannyclassifieds.com/blog/7-things-that-makes-nannies-fit-in-with-their-families/

domenica 14 agosto 2011

The Poem of Creation



Descendants  of Adam and Eve 

Then Adam knew Eve and she conceived 
Cain. She said “Now I have got a man”. 
A second time was pregnant Eve, glad
To give Abel his birth. But while Cain 
Was  farmer,  shepherd was Abel instead!
The eldest his fruits  to  God more sane
Did give,  and Abel  best  from his flock
More pleasing God, what made to  Cain a shock.

to be continued 

lunedì 21 marzo 2011

It's springtime

It's springtime but there is no joy in my heart. The old gone verse echoes in my mind: " How many bombs/ must a cannon ball fly/ before the world/ is allowed to be free?"
And I ask my self: "Will never the man defeat is thirsty of power?
I'll keep on pursuing Good against Evil though I doubt the man will never take apart violence, greedness and power.

domenica 9 maggio 2010

Hardwired for good and evil


When I was younger than today, used to think that all the men were born for goodness and then was the society or the family or other factors to shape their minds and their believings into evil.

But now, may be, I need to change my mind.

Professor Paul Bloom, a psycologist from the Yale University in Connecticut, USA, has made a series of experiments that show how, since they are aged six months, human beings are able to distinguish between good and evil.


To know more go to the DM on line by David Derbyshire:

"At the age of six months babies can barely sit up - let along take their first tottering steps, crawl or talk.
But, according to psychologists, they have already developed a sense of moral code - and can tell the difference between good and evil.
An astonishing series of experiments is challenging the views of many psychologists and social scientists that human beings are born as 'blank slates' - and that our morality is shaped by our parents and experiences.
Good rabbit, bad rabbit: Simple experiments involving babies have shown that we have a strong morality instinct from an early age
Instead, they suggest that the difference between good and bad may be hardwired into the brain at birth.

In one experiment involving puppets, babies aged six months old showed a strong preference to 'good' helpful characters - and rejected unhelpful, 'naughty' ones.
In another, they even acted as judge and jury. When asked to take away treats from a 'naughty' puppet, some babies went further - and dished out their own punishment with a smack on its head.
Leading research: Professor Paul Bloom, of Yale University, said a series of morality tales featuring puppets were shown to babies of varying ages
Professor Paul Bloom, a psychologist at Yale University in Connecticut, whose department has studied morality in babies for years, said: 'A growing body of evidence suggests that humans do have a rudimentary moral sense from the very start of life.
'With the help of well designed experiments, you can see glimmers of moral thought, moral judgment and moral feeling even in the first year of life.
'Some sense of good and evil seems to be bred in the bones.'
For one study, the Yale researchers got babies aged between six months and a year to watch a puppet show in which a simple, colourful wooden shape with eyes tries to climb a hill.
Sometimes the shape is helped up the hill by a second toy, while other times a third character pushes it down.
After watching the show several times, the babies were shown the helpful and unhelpful toys. They showed a clear preference for the helpful toys - spending far longer looking at the 'good' shapes than the 'bad' ones.
'In the end, we found that six- and ten-month-old infants overwhelmingly preferred the helpful individual to the hindering individual,' Prof Bloom told the New York Times.
'This wasn't a subtle statistical trend; just about all the babies reached for the good guy.'
Two more tests found the same moral sense.

In one, the researchers devised a 'one-act morality play', in which a toy dog tries to open a box. The dog is joined by a teddy bear who helps him lift the lid, and a teddy who stubbornly sits on the box.

They also made the babies watch a puppet cat play ball with two toy rabbits. When the cat rolled the ball to one rabbit, it rolled the ball straight back. But when the cat rolled it to the second rabbit, it picked up the ball and ran off.
'In both studies, five-month-old babies preferred the good guy - the one who helped to open the box; the one who rolled the ball back - to the bad guy,' said Professor Bloom.
When the same tests were repeated with 21-month-old babies, they were given a chance to dish out treats to the toys - or take treats away.
Most toddlers punished the 'naughty rabbit' by taking away treats. One even gave the miscreant a smack on the head as a punishment.
Although the studies appear to show that mortality is hard-wired into babies brains, some psychologists urged caution.
Dr Nadja Reissland, of Durham University, said babies started to learn the difference between good and bad from birth.
'Everything hinges on who decides what is normal,' she said. 'By saying pushing the ball up the hill is helpful, the researchers are making a moral judgement. The babies might just prefer to see things go up rather than down.
'In the other test, perhaps the bear closes the box to prevent the dog from getting in there because there is something dangerous inside. It is like a mother keeping children out of an area where there is something harmful ".

Read more: http://www.dailymail.co.uk/news/article-1275574/Babies-know-difference-good-evil-months-study-reveals.html#ixzz0nSPzZNUq

lunedì 8 febbraio 2010

The Poem of Creation


Prologue


I sing the God Almighty’s Creation

Wherein were firstborn Adam and Eve

former seed of any human Nation

at the time they could only conceive

the joyfulness with no desperation

In the Eden still far to misgive

The outcome of the serpent deceiver

Who led the man to be God’s defier!


I also sing about the valiant braves,

descending straight from the elected race,

who such in courageous and daring ways

Isr’eli people to holy surface

They led of Palestine. Betray’ls, hates, loves,

I don't omit, on fortune and disgrace:

those between God and men, tribes and kingdoms ;

and laws, wars, exiles I sing in my songs.


Arduous so much however it ‘s my part,

long and full of traps my composition,

That plenty of fear I feel into my heart,

if I dare to see myself on action,

and tremble with my head before I start

The Old and the New Holy Narration!

My Fairy God, Firmament’s Creator

Please make me such an able narrator!


From Genesis’ to Apocalypse’s book

please drive my hand between rhymes and accents

to enable it jointly with mind, to hook

the most significant , deep sentiments

in order they can take a fairly look

of those seventy three, pious components!

If someone goes to Source for sweeter tasting

surely all my efforts I won’t be wasting!


The World’s Creation I


At the beginning God created the sky

And the earth, which was shapeless and desert

And darkness cover’d the abysses close by;

But on the waters, with divine, expert

Zeal, God established that obscurity

Had to be opened to the bright alert!

God, seeing that it was good, called Day the light.

And the darkness instead was named Night.


Then beneath the waters, the firmament

set God, and between them, b’low, the dry land

He also set, whither at same moment,

To any bud and tree He gave command

From seed to be produc’d for nourishment

Of any species, in ground, soil or sand!

After He had named sky, earth and sea

To following duty God had to begin.


Hereafter the lights in the sky He set

Doing the moon and the sun for night and day,

And other signs and stars in dose correct,

for making years and seasons going away,

For the Most High is much more than perfect

And furthermore of this I cannot say!

About this seventh stanza therefore

I will not tell you nothing anymore!


....to be continued...