last moon

Visualizzazione post con etichetta horace. Mostra tutti i post
Visualizzazione post con etichetta horace. Mostra tutti i post

mercoledì 20 marzo 2019

Carpe diem



The maxim "Carpe diem" has currently risen to a different meaning from the original Horace's lyric poet of the Carmina.
As a matter of fact Horace's dialogue to the young Leuconoe is not an invitation to enjoy blindly the life, but is better a call to live the possible happyness that the incertainty of our life can offer to us (carpe diem: quam minimum credula postero).
In this point of view "carpe diem" accords with the right meaning contained in Saint Mathew's Gospel (Chapter 6, 25-31) with which Jesus invites us to live today without the ambush for tomorrow.
So we can say, with Novalis,  that the great latin poet  Horace,  was the real priest-poet. 

domenica 1 dicembre 2013

Manifesto for a new Literature's Magazine

Ars Poetica Magazine- Life and Poetry is a new literary review for classic and modern poetry, edited both in english and italian languages.

The first number will be issued very soon. The magazine won'nt follow a regular,   periodic publication but it will be issued as we need.

The name of the Magazine has been chosen thinkink at the contents of  the Horace's work (also known as the Epistle to Piso) incredibly pungent and present after more than 2000 years (the epistle attracted also the attention of Giacomo Leopardi who made, in 1811, a fine octave transposition in rhyme).

 The Magazine wants to deal with poetry in the conviction that poems are strictly tied with life and society, as the subtitle of the magazine shows.

 Our references will be directed to all  the great italic poets: between the Latins Horace,  Lucretius, Virgil, Ovidio; between the Italians Dante, Iacopone, Boiardo, Ariosto, Tasso Foscolo, Leopardi, Manzoni, Carducci, Pascoli ( the list is only an example and is not exhaustive).

This does not mean that our magazine won't take in the right count other great poets like the English Spenser, Shakespeare, Donne, Milton, Blake, Wordsworth, Coleridge, Lord Byron, Sheller,, Keats, Eliot or Dickinson; or like the Americans Whitman, Poe, Pound, E.L. Masters or Ginsberg.

Nowdays there are so many poets writing so many poems so much long! And all seems to be so easy!

That's due to the general literacy which took place in the last century and there is nothing bad on it.

Nevertheless there is a precious heritage of poetic culture which is on risk to be lost.

Words are  like  rough stones: before they become verses or poetry, they need to be smoothed like river's stones.


Horace uses a more efficient metaphore in his epistole to Piso:" If you want to deserve altars or temples / wait at least nine years, dear brother / before to publish your poems/and work on them as blacksmith does to make the iron shape!!! " And forward in the poem: " But if you are in  search of  honor and praise / writing four verses, oh Piso  / show them to your  parents or to a wise and good censor ;/ keep them locked up for a long time / for if a man has once ever escaped/  he's not  coming back never indeed ! "

 Of great poets of the past I appreciate their skill on shortness and synthesis. A skill that does not belong to free versifiers of present days. and neither they seem to shine for rhyming. Again with the Horace's words:

" Meanwhile, everyone is kindly asked to be short  / and either delight or to be useful in his rhymes! "

Of course I the Magazine will deal and accept also plain verses and free versifiers will be welcome; though I think that poetry has paid a price for the democrat diffusion of popular literacy. The quantity gained by poetry in width has been lost in depth.

So many writers confuse poetry and prose misregarding of any distinction. So, some writers, who could be so cool in prose, become, with Horace's words, cruel poets:

" We can tolerate mediocrity in anything ;/ but not in  poetry: thus in honey /  choosey mouths do not like   / a bitter almond  inside . / The best would be to write on prose / if a versifier  is just too cruel / as the football player leaves balloon and balls / and  abandon the disc who is not too strong!

Naturally I believe the in poetry  contents,  meaning and even  social involvements are the most important things; nevertheless I like to underline that  metric patterns and poetic structures are not cages for prisoners but frames which bound to freedom and liberty is not equal to anarchy.

Poetry is nourishment for the souls and souls need  distilled food.

But whom readers does our Magazine apply to?

First of all we would like to recall those who love  poetry metrical structures (both poets or just readers); a poetry framed into patterns like terza rima, octaves and whatelse is made by syllables with the right accents.

Secondly our Magazine would like to approach the  Italian who live abroad (specially those who live in English speaking countries but not only them); either because they have emigrated or they live in foreign countries for different reasons;

Finally everyone who wants to have a free change of ideas, even with those who might have different points of view, are welcome for reading, commenting or contributing to our Magazine.

We'll give information of the web's site publishing the contents of Ars Poetica Magazine, as soon as we are ready for publication.

I hope you'll be joining us for sharing time and ideas together. In the meantime, I wish all the best on your life.

sabato 16 novembre 2013

A Manifesto for a new Magazine


Ars Poetica Magazine is a new literary review for classic and modern poetry, edited both in english and italian languages. 
The first number will be issued very soon. The magazine won'nt follow a regular,   periodic publication but it will be issued as we need. 
The name of the Magazine has been chosen thinkink at the contents of  the Horace's work (also known as the Epistle to Piso) incredibly pungent and present after more than 2000 years.  
The work attracted the attention of Giacomo Leopardi who made i , in 1811 , a fine octave transposition in rhyme. 
 Our references will so swing between these two great poets: Horace and Leopardi.
This does not mean that our magazine won't take in the right count other great poets like Dante, Tasso, Ariosto or Manzoni; neither we aim to slide over the greatness of such a literary giants as Shakespeare, Donne, Milton, Byron or Dickinson. But the two orienting poles will be the latin poet from Venosa and
the great recanatian author of the "Infinito" and of the transposition of the horacian  "Ars Poetica".
Nowdays there are so many poets writing so many poems so much long! And all seems to be so easy!
That's due to the general literacy which took place in the last century and there is nothing bad on it.
Nevertheless there is a precious heritage of poetic culture which is on risk to be lost.
Words are  like  rough stones: before they become verses or poetry, they need to be smoothed like river's stones.

Horace uses a more efficient metaphore in his epistole to Piso:" If you want to deserve altars or temples / wait at least nine years, dear brother / before to publish your poems/and work on them as blacksmith does to make the iron shape!!! " And forward in the poem: " But if you are in  search of  honor and praise / writing four verses, oh Piso  / show them to your  parents or to a wise and good censor ;/ keep them locked up for a long time / for if a man has once ever escaped/  he's not  coming back never indeed ! "

 Of great poets of the past I appreciate their skill on shortness and synthesis. A skill that does not belong to free versifiers of present days. and neither they seem to shine for rhyming. Again with the Horace's words:

" Meanwhile, everyone is kindly asked to be short  / and either delight or to be useful in his rhymes! "

Of course I don't have nothing against blank verses or free versifiers; but I think that poetry has paid a price for the democrat diffusion of popular literacy. The quantity gained by poetry in width has been lost in depth.
So many writers confuse poetry and prose misregarding of any distinction. So, some writers, who could be so cool in prose,, become, with Horace's words, cruel poets:

" We can tolerate mediocrity in anything ;/ but not in  poetry: thus in honey /  choosey mouths do not like   / a bitter almond  inside . / The best would be to write on prose / if a versifier  is just too cruel / as the football player leaves balloon and balls / and  abandon the disc who is not too strong!

Metric patterns and poetic structures are not cages for prisoners but frames which bound to freedom and liberty is not equal to anarchy.
Poetry is nourishment for the souls and souls need only distilled food.
But whom readers does our Magazine apply to?
First of all we would like to recall those who love  poetry metrical structures (both poets or just readers); a poetry framed into patterns like terza rima, octaves and whatelse is made by syllables with the right accents.
Secondly our Magazine would like to approach the  Italian who live abroad (specially those who live in English speaking countries but not only them); either because they have emigrated or they live in foreign countries for different reasons; 
Finally everyone who wants to have a free change of ideas, even with those who might have different points sf view, are welcome for reading, commenting or contributing to our Magazine.
We'll give information of the web site publishing the contents of Ars Poetica Magazine, as soon as we are ready for publication.
I hope you'll be joining us for sharing time and ideas together. In the meantime, I wish all the best on your life.

mercoledì 6 novembre 2013

Horace and his lawyer

The distinguished jurist Gaius Trebatius Testa (I century B.C.), warned the sublime poet Horace, his great friend, the rigor of the laws to which it was likely to meet with his biting satire.

- "If a man has composed bad verses  against someone, he will be taken to court and sentenced" - said the careful lawyer  to his friend.

- "All right!" - Horace replied - "But if someone had written   good verses also pleased to publict?"

- "Then even the tables of the law would melt with laughter and solved you would go to home!" - Concluded the great jurist reassuring his poet friend.

Here's how I imagined the dialogue between the two, freely
translatingfrom the First Satire of the Second Book of the Satires of the great poet Horace:

Gaius Trebatius Testa- ” Si mala condiderit in quem quis carmina, ius est iudiciumque!”- ego tibi moneo Horatius
Quintus Flaccus Horatius – ” Esto, siquis mala, docte Trebati; sed bona siquis judice condiderit?”
Gaius Trebatius Testa: – ” Solventur risu tabulae, tu missus abisis laudatus Flaccus.

giovedì 24 ottobre 2013

Ars Poetica

The Ars Poetica of Horace is incredibly pungent and present even though more than 2000 years have passed since the great Latin poet wrote this work, also known as the Epistle to Piso . The work attracted the attention of Giacomo Leopardi who made i , in 1811 , a fine octave transposition in rhyme.
Here are some pearls in all faithful to the original that inspired them .
" If you want to deserve altars or temples / wait at least nine years, dear brother / before to publish your poems/and work on them as blacksmith does to make the iron shape!!! "
" Meanwhile, everyone is kindly asked to be short  / and either delight or to be useful in his rhymes! "
" But if you are in  search of  honor and praise / writing four verses, oh Piso  / show them
to your  parents or to a wise and good censor ;/ keep them locked up for a long time / for if a man has once ever escaped/  he's not  coming back never indeed ! "
" We can tolerate mediocrity in anything ;/ but not in  poetry: thus in honey / 
choosey mouths do not like   / a bitter almond  inside . / The best would be to write on prose / if a versifier  is just too cruel / as the football player leaves balloon and balls / and  abandon the disc who is not too strong  ! "
Let us meditate on these verses together, all of us who want to be poets !