The Dreamer

 

https://www.amazon.com/dp/B0CQDFK2JW

Chapter 3

My remembering was interrupted by a discreet touch at the door. Mr Winningoes entered holding a tray in a hand on which there was a stumpy teapot in porcelain and three handless cups, decorated with Chinese ideograms.

«I apologize for leaving you alone for such a long time »he said happily–«but to make tea is a very serious matter that requires time and skill. Help yourselves please».

I filled the three cups with a lot of attention. George, taking one on his hand, gazed at its outside and the inside for a long time. He seemed particularly interested in the small yellowish petals that floated on the surface.

«They are jasmine's flowers», said the old man. «I get this tea directly from China. It is delicious, isn't it?» he added, turning to me, while I was trying to sip it slowly, in order not to burn me.

«Yes, certain. It is very tasty. Do you also like Chinese cuisine?», I returned him on time.

«Oh, yes, for sure! I do it so much», he answered with a light flash on his face. «I remember when my son Adam was still alive…»

But suddenly we saw that flash of light illuminating his face transformed into a dark and sad countenance.

«My son Adam…» he echoed bitterly himself, with a smile of self-pity on the pale lips. We observed a respectful silence for the pain of that man who appeared at times a proud lion, full of projects for his future, to become instead afterward, a man tired of striving, bent by disgraces and by the time.

I wished I had mastered a better English to show him my solidarity and tell him that I didn't even know he had had some children, not even he had gotten married, forming a proper family; apart, of course, his father and mother, whom he had spoken of to us for long time throughout his story.

But who was really that strange man? Was it enough to know him well, what he had told us himself rightly on that same day? I made an effort to collect my ideas recalling the story in his own words.

 

  

 

 

 

 

 

 

 

 

 

The Dreamer

 

https://www.amazon.com/dp/B0CQDFK2JW

Chapter 2

 

In order to relax I recalled the preceding events, starting from the moment I had firstly met my friend George.

I had known him early in the summer of 1979, in a little snack bar of the center, at the beginning of my London stay. A snack-cafe not so far from Piccadilly Circus, where they made a slightly drinkable coffee. I used to go there, because it was the only place where the coffee was served in the small, classical, Italian cups, and even if it was served with no cream, was still better than that watered black soap that almost all barmen sell off for coffee in England. The bar was housed in a large rectangular room. On the right of the entry there was the counter with the coffee-machine, while both on the left and the opposite wall, in front of the entry-door, there was a wood bench, lined in plastics of brown color, and, straight above, lined in the identical way, a same long but narrow shelf, plenty of sugar-bowls and ashtrays.

The left wall, for the whole length of the bench, beginning from the shelf and finishing to the originally white-painted ceiling, was made of a thick transparent glass that, giving brightness to the place, allowed the visitors to enjoy a wide outside sight where, just in front, it was well visible the entrance of a theatre with an ample and luxurious atrium.

It was there that George seemed to stare up at his look, over the round glasses (like John Lennon’s, I had thought). His olive complexion, the chestnut hair and the black moustaches didn't make him certainly look like a probable Queen’s subject, but I questioned him, this not less, in English. After all, we were in London: what kind of idiom was I supposed to speak?

He burst into laughter, hearing my question. Not immediately, but after turning his head to look at me, with a funny expression on his face, while with my hands I repeated my request for fire, rubbing, at the same time, my right forefinger on the palm of the left hand.

Lighting his own cigarette, as I stood close and steady, much more interdict than angry, because of his crazy laughing, he told me in a strongly stressed, though smooth, Italian language:

«Sorry for laughing, but Italian people do make notice of them, when they speak English. You come from Rome, don’t you?», he suddenly added, smiling with satisfaction to my affirmative answer.

The place, beside the two of us and a girl sitting on the other side of the bench, was empty.

The barkeeper, behind the counter, was preparing a great copy of sandwiches, with cheese and tomatoes, lettuce and meats and a few others with all four ingredients together, according to the best English taste.

«And you, where do you come from?», I asked him in some annoyed tone for that reference to the Italian’s accent and particularly to that of the Romans, whose noble descendants I am still proud to belong.

« I am not Italian» he answered me with a peaceful voice «but I have lived quite a lot of years in Italy. I know so your customs quite well, and also your accent», concluded laughing again. This time his laughing, however, didn't upset me at all. Those few words had been enough to make my anger fade away; or maybe I was just only glad to talk to someone without squeezing my brain to translate my thoughts from Italian into English language.

to be continued...

  

 

The Dreamer

 

https://www.amazon.com/dp/B0CQDFK2JW

Chapter 1

 

«I will soon be back, make yourselves at home, please» said the man going out. We looked at each other, George and I. It had only been from the morning that we didn’t have a chance to stay on our own.

«That’s a real story of madness! » he burst out taking a seat in one of the four wood armchairs that were around a circular table in the center of the small room. «This man must be crazy! Let's put him off as soon as is back and let's escape from here, until we are in time», he added while I was taking a seat in front of him.

«Just a moment, George, maybe it will seem strange to you, but I don't feel afraid of this man! He inspires a sort of trust in me, despite his strangeness».

«But do you realize what you are talking about? Have you gone out of sense too? This man must have some extraordinary powers: hasn't he hypnotized us just slightly before? Have you also heard him talk of super-races and brain's experiments or have I dreamed of it?», George attacked me nervously.

«Be quiet, please, George», I told him in a calm voice. «First of all, I don't believe he has hypnotized us, just before. Secondly, if he is really so powerful as you say, what could be his reaction, when we try to immobilize him? Make a point on it:  when we arrived here, we were both sleepy. If he wanted therefore to use us as guinea-pigs, two punctures were enough for him to knock us down!  I have not seen yet neither cats resembling mice, nor men with a square brain!

 Who can be sure that the old man is not inventing everything? It would not surprise me if this story derived from the imagination of some fantastical writer. I want to go to the end of all these circumstances. Don’t you also want to know what kind of job's proposal Mr Winningoes is going to make for us?»

George gazed for a long time into my eyes, thoughtfully. Then, without answering, he relaxed on the back of the chair, releasing the muscles and breathing deeply.

He stood with half open eyes crossing at once the feet and the hands softly on the womb, with the right hand covering the palm of the left one. He seemed to me almost slept, while only the breath animated his body. Won by all those unexpected and subsequent emotions, I also imitated him doing my best on sitting comfortably on the wood ancient chair.

...to be continued...

 

 

 

 

 

 

The revenge of Music

They say that all seas are connected to each other through oceans and straits, forming a single global marine system. And therefore, thanks to the Suez Canal, Sardinia and the Mediterranean are today artificially connected to the Red Sea and therefore to the Persian Gulf, on whose western coast, facing Persia, the star of Doha shines.

But if someone had attended the end-of-year concert, organized on 31 December 2025 by the Sardinia Opera of the Teatro Lirico of Cagliari, he would not have needed to make an effort to search for these geographical connections, which also exist, since the seas and oceans constitute, through the currents, a single hydrographic basin.

But in the civic theater of Cagliari, last night, when Sardinia met Qatar, there were other currents that could be felt in the room and which, in some magical moments, connected the two seas; the Sardinian Mediterranean one, and the Persian one from Doha.

These musical currents crossed the souls of the numerous spectators present, creating a musical atmosphere of brotherhood.

Thus it happened that the percussions of the Qatari Ensemble “Fijiri”, two Darbuka and a Davul, merged perfectly with the instruments of the opera orchestra, composed of winds, woodwinds, brass, piano and other percussions and even more so with the voices of the Choir.

Those who were present could feel strong sensations. It seemed that those sounds, as a whole, called humanity back to a universal spiritual fusion, which, although too often rejected by the narrow vision of politicians and the powerful men of the world, has nevertheless found its guiding spirit in music.

It is undeniable that even the sound stones, masterfully played by the daughter of its creator Pinuccio, and the pianist Andrea Granitzio, were able to intercept these musical currents, which, rising in the large theater space, put the spirit of those present in communication.

Personally I heard the rhythms that the musicians gave to the pearl divers of Qatar. And I perceived the same sounds that echo in our Mediterranean Sea from Morocco and from the other countries that overlook our sea and which constitute a unique cultural entity, from a musical point of view, such as to include all the countries of Arab tradition, even beyond the Arabian Peninsula. And Sardinia, which has dominated the Mediterranean for millennia, radiates its music and sounds all around, even through the sound stones of Pinuccio Sciola. A symphony of Mediterranean sounds that Fabrizio De André would certainly have liked, convinced as he was that the Mediterranean constituted a unique basin of culture and sounds.

The Gavino Murgia Quintet also participated in this universal symphony of sounds, in the song of the two seas, with their masterfully performed pieces, which in the musical form of jazz, recalled, at times, the best Frank Zappa, in his most daring experiments, but also other musicians, purer in their jazz background, such as Davis, Coltrane, and even more Metheny, Di Meola and Mc Laughlin.

The climax of the evening, in my opinion, occurred with the performance of some songs by Dana Al Fardan, taken from the album “Tempest”, masterfully arranged, in the orchestration by Joris Laenen and for the choral part by Giovanni Pasini, who conducted the orchestra, the choir and all the other musicians present with authority and precision.

Special praise also deserves the violinist Anna Tifu (who carries on the musical legacy of Enzo Bosso), the pianist Andrea Granitzio and Gavino Murgia, with his incomparable sax.

The final pearl, as also underlined by director Pasini, was the singing performance of Alice Marras who ventured into “Andimironnai”, a traditional Sardinian song, accompanied by Anna Tifu on violin, Gavino Murgia on solo sax, Daniele Russo on solo drums and again by the sound stones of Maria Sciola, who did not make us regret the trite and hackneyed finals of the most classic of the year-end concerts.

A successful experiment therefore, both on a cultural and more purely musical level. a hope for a future of peace and brotherhood, through music.

In this sense, applause goes to superintendent Andrea Cigni who had the courage to break with tradition without forgetting that good music must still be conveyed with the right professionalism.

Just a story of islands

 

https://www.amazon.co.uk/dp/B07JKFNCDG

Chapter 3

 

The entry was dark, but after closing the front door behind our shoulders, we noticed, on the left, an open door, which filtered a weak light. After we had gone through a poorly illuminated and narrow corridor, we turned into a staircase. There was not any sign of life all around. At length we found, still on the left, an open door and we leaned out to see.

" Come in, come in" said a voice from behind a disclosed glasses’ door.

And before we could do or say anything, a thin face appeared on the threshold and in a firmer and louder tone repeated:

"Come in, at last!".

He soon showed us two chairs in front of his desk and started watching us with questioning expression.
I also observed him with attention and curiosity.
He was the thinnest person I had ever seen in my life. You could rather say that he was made but skin and bones. He had prominent cheekbones and also the jaws, the temples and the front were very protruding.

If some incredibly brisk and extraordinarily green eyes had not filled his eyes sockets, I might have also believed that he could really be made of skull and crossbones.
But skulls and crossbones, usually, do not speak. Furthermore he wore some suits which let him to look like a normal man.

 "I am Mr Winningoes. What can I do for you?" –he said as soon as we had sat down.

 " We are looking for a job" - George immediately said after a brief pause.

" What kind of job are you looking for?"  said the man on his way. Despite of the appearances, his voice sounded like a perfect job’s agency employee.

 "Everything will be all right" I dared, in my difficult English, staring at George to ask confirmation of the agreement we had hastily reached, not to speak at all of Mr Joking.

" Ah!"  the man exclaimed "Let’s see, then."

With the thin finger he started pointing up the lines of some sheets leaned on a skin braid on his front. He mumbled, rather than leaked, without any sense and, from time to time, he fixed a careful look to one or the other of us and after, shaking his head, he started over reading.

He had finally arrived to the last sheet, and rather seemed that the finger already slipped from the sheet to the braid, and from this to the green glass that covered the plan of the desk, when the old man pronounced with vivacity: - “Here you are! Two intelligent young people, good health, bachelors and prepared to travel around, we are looking for easy and pleasant job. Good conditions. No references are required."

to be continued...

Just a story of islands

 

 

 

 https://www.amazon.co.uk/dp/B07JKFNCDG

Chapter 2

 

That Friday, the 9th of November 1979, right the day we were going to meet that strange Mr Winningoes, as we had soon to discover, I followed him on the wide tree-lined roads. On the sidewalks, the leaves, fallen during the night, had formed a thick and soft carpet, on which George seemed to walk with special pleasure.

It was a colorless day, one of those typical London winter days where the diurnal light maintains the same slim intensity, from mornings to evenings, and the night comes up suddenly unexpected, when the pale and smothered reverberation of the sun, behind a thick blanket of clouds, has concluded its almost invisible cycle.

It blew a fresh and light breeze. But the wind, from time to time, became impetuous, and by means of violent gusts seemed to push us, like for joking or as if it wanted to encourage us to go straight ahead. And courage was exactly what we really needed, as our search of a job was becoming a serious and weary problem.

“I don't recognize the London's gone times anymore” George had told me, not later than the former evening, coming out from one of the many jobs agencies we had uselessly visited.

I followed him on his march, absorbed in the noise that our own footsteps produced on the leaves. The rhombus of an auto dissuaded suddenly my attention.

”Where are we going to?” I asked him.

” We will try to go this way along” he answered turning slightly back his head. “This way through we will rejoin the Maida Vale. There are plenty of job’s agencies up there.”

George knew a lot better than I that area, as he was living since a longtime. He had taken that one-room flat where we were living together, with a girl, now got back to Italy, like he fleetingly told me, not without a shade darkening sadly his eyes and I did not dare to ask him more of it. We walked silently. Sometimes we crossed some hasty passing or perceived, almost more than hear it, as a fleeting apparition, a car or a motorbike whose noise was spaced out slowly, as absorbed and diluted in the immensity of the surrounding silence.

We walked around and after an indefinite time, that desert of dry leaves seemed to stop against an iron handrail.

I brusquely handed at it, gasping and excited for the march and for a strange emotion that had suddenly pervaded me. From my point of observation, tall brushes of trees hid the horizon and I could only see, slightly swaying in the void, a green poster with the write “Winpey “in red- block dark characters.

I felt a pleasant excitement throughout my body. A feeling that immediately was of lightness. A desire to let my body flow in the air, toward that poster, flying the sky.

-” Let’s go down these steps”.

The George’s voice dissuaded me from my thoughts. As we went down the stairway, the view, under of us, revealed its real contours. That poster, that seemed like suspended in the air, was the summit of the tall pylon of a crane that laid in the center of an immense housing estate.

I watched again toward that write and noticed that it was hacked against a loaded leady sky with no change of tonality. A dark and heavy vault until my eyes could see.

”Are we in the morning or in the evening, George?” I did seriously.

”What difference does it make?!” he answered almost in a mocking way “However there seem that some people are working over there. Let’s go and see.” He added turning to a serious tone back.

We reached the site fence. Through the interspaced tables that bounded we saw numerous working machines: diggers, shovels, concrete mixers, kneaders, all laying like dead animals, in the most total silence.

"Are you sure there are some people working here? I can't see anybody."

George gave a look through the tables too, a little bending on them.

"They might be stopping for one of the so many "tea-times" English people like to do. Let’s look for the entrance and then we will see."

To find the access of the yard, that occupied a wide place in the center of a crossroad, we walked along his perimeter. The entrance was exactly on the opposite side. We entered.

Between working machines and shovels, heaps of sand and piles of sacks of cement, bricks, lumbers, irons and utensils, we noticed a small cottage of red plate, that was almost in the centre of the building yard. We were approaching there when a small door was opened out of the shed.

"Hello boys!" A gentleman said sorting out " Can I help you?"

His voice was cordial and happy. It seemed he was talking to well known persons.

" Is there any need of some workers?" - George did him without preambles and also laughing. We stopped a little closer and so I had the opportunity to better observe him: he looked quite a lot peaky, making a net contrast with the strong black of the hair. He dressed with elegance a brown suit on a white shirt with a red and black cravat.

" I would not mind at all " the man replied in the former jovial tone -" but our firm assumes only through the agency. Now I will give you the address so you can go and see there. There are good hopes. Follow me in to the office, please" he spurred us, seeing we were so undecided.

Just a story of islands

 

https://www.amazon.co.uk/dp/1687004994

That London summer 1979 had exceptionally been long and mild (London whether, at middle August, it is usually already cold). Such a whether allowed me to make profitably the ice cream sale. We sold them to the passer-bys, leaned out in the street with a freezing machine “Carpigiani” that, in the evening, after the sale, we located inside a shop of souvenirs along the Oxford Street. Working together had contributed to strengthen our knowledge and we became so good friends.

Of George I appreciated the self-confidence that showed in the practical and small things of everyday’s needs, as for instance knowing how to cook rather than to be skilful in the use of English language. This assurance of his, nevertheless, was oddly conjugated with his strenuous internal search that seemed finalized to understand the deepest sense of our life on the earth. That after all was the main reason which had pushed me in to London town.

These things I had realized through the great discourses that, alternate to long silences, we had along that time.

George was rather a reserved man, who didn't love very much to speak of himself, at least not in direct and explicit manner. Neither he seemed very interested to pick up the alien confidences.

He apparently gave the impression to have something to hide or have run away from someone he needed to forget, in a city where also a celebrity would pass unnoticed. But after a short time, I had realized that his silences, his reservation, his misanthropy were together the fruit of a shyness and the result of a reflexive and deep character, projected towards a spiritual search that, absorbing big part of his energies, detached him from the material things of daily life, except those strictly necessary for living through.

The search of an ideal world, through dimensions and experiences untied from the normalcy and the usualness of everyday life, had been soon the point of contact and more important welding in our relationship. Furthermore, apart all this, I had found on him a disinterested support, without which my London adventure would have soon ended up. Then the summer, suddenly ended, and slowly but surely, also vanished the savings put aside in the ice cream season.

to be continued...

 

The Essence of Life

 

https://www.amazon.co.uk/dp/B07JKFNCDG

Chapter 1

George and I

 

I had known George, just in the summer of  1979, in a little snack bar, in the beginning of my London stay. A snack-cafe not so far from Piccadilly Circus, where they made a slightly drinkable coffee. I used to go there, because it was the only place where the coffee was served in the small, classical, Italian cups, and even if it was served with no cream, it was still better than that watered black soap that almost all barmen sell off for coffee in England.

The snack-bar premises were in a large rectangular room. On the right of the entry there was the counter with the coffee-machine, while both on the left and  the opposite wall, in front of   the entry-door,  there was a wood bench, lined in brown colored plastics and, straight above, lined in the identical way, a narrow shelf, plenty of sugar-bowls and ashtrays.

The left wall, for the whole length of the bench, beginning from the shelf and finishing to the originally white-painted ceiling, was made of a thick transparent glass that, giving brightness to the place, allowed the visitors to enjoy a wide outside sight where, just in front, was well visible the entrance of a theatre with an ample and luxurious atrium. It was there that George seemed to stare up his look, over the round glasses (like John Lennon’s, I had thought).

His olive complexion, the chestnut hair and the black moustaches didn't make him certainly look like a probable Queen‘s subject, but I questioned him, this not less, in English. Also because, after all we were in London. What other idiom was I supposed to speak?

He burst into laughter, hearing  my question. Not immediately, but after turning his head to look at me, with a funny expression on his face, while with my hands I repeated my request for fire, rubbing, at the same time, my right forefinger on the palm of the left hand.

After lighting his own cigarette, as I stood close and steady, much more interdict than angry, because of his crazy laughing, he told me in a strongly stressed, though smooth, Italian language:

 “Sorry for laughing, but Italian people do make notice of them, when they speak English. You come from Rome, don’t you?” -, he suddenly added, smiling with satisfaction to my sad, affirmative answer.

The place, beside the two of us and a girl sitting on the other side of the bench, was empty. The barkeeper, behind the counter, was preparing a great copy of sandwiches, with cheese and tomatoes, lettuce and meats and a few others with all four ingredients together, according to the best English taste.

 “And you, where do you come from?” - I asked him in some annoyed tone for that reference to the Italian’s accent and particularly to that of the Romans, whose noble descendants I am still proud to belong.

-” I am not Italian” - he answered to me with peaceful voice “but I have lived quite a lot of years in Italy. So I know your customs quite well, and also your accent” -, concluded laughing again tastefully.

This time his laughing, however, didn't upset me at all. Those few words had been enough to make my anger fade away; or maybe I was just only glad to talk to someone without squeezing my brain to translate my thoughts from Italian into English language.

To recognize nationalities through the English speaking accents, was only one of the so many eccentric aspects of George’s personality, as I had the opportunity to discover thereafter.
But what struck me mostly among them, determining the consolidate of our friendship, was his passion, shared by me, for the esoteric philosophies. Actually ‘till then, I had reputed them exclusive knowledge of the eastern cultures, while George, rightly in the period we met, was studying at one (whose study he had to introduce me, later on), that he granted to the Huichols, a direct descending people of the ancient pre-Colombian populations that in the present state, according to what at that time he told me, were still living in the north western mountains of Mexico.

...to be continued...

The Last Moon

https://www.amazon.com/dp/B0BYVJ67QW

 

The last moon

 

Act Unique in six scenes in Sardinian Language

By Ignazio Salvatore Basile

Translaction in to English by the same author

General index

 

the last moon

drama in one act and six scenes

pages 1-20

 

Structure and Framework

page 21

Description of the Protagonists

page 22

 

The presentation of the author: where does the idea come from?

page 24

 

Director's Notes

Page 26

 

Acknowledgments and Contributions

page 27

Characters

 

Itzocar                                  Tribe’s Chief of Nure

 

Irìsa                                        His  Wife

 

Damasu                                  Son to Itzocar and  Irìsa

 

Gula                               Daughter to  Itzocar and  Irìsa

 

Alàshia                                   Sister to  Gonario

 

Aristea                            Daughter  to  king Gonario’s 

 

Nakigia                                   Gonario ‘s Widow

Rumisu                   Nakigia’s Son –Throne’s pretender

 

Bithia                Nakigia’s Sister - Priestess of  Nure

 

Iolao                                       Bithia’s Son

 

Anù                                        High Priest at Nure     

                                     

Elki                               Anù’s Son  and  Soldier’s Chief

 

Soldiers and People

 

King  Gonario                        His Phantom

THE PLOT

 

On the  tribe of  Nure reigns Itzocar, who rose in command twenty years before,  when  his brother Gonario, suddenly died.

In so doing Itzocar has however willfully ignored the rules regarding the succession imposed by ancient tradition , who foresaw the Regency of Gonario’s widow,  Nakigia, at least until the grown age of his son Rumisu, still a child at the time of death of the king Gonario.

Trying to legitimize and strengthen the usurped power Itzocar and authoritative Anù, Member of the Council of elders of Nure, combine a double marriage: Damasu, designed by his father Itzocar to succeed him on the throne, will marry Aristea (who is daughter to deceased King's sister, Alàshia), while Elki, son of Anù  will marry  Gula (daughter of Itzocar).

 

But Nakigia, widow to Gonario,  who is contrary to weddings, invited to depose the gifts on behalf of Anù, invites the nobles, priests and the people waiting for the awakening of Bithia Priestess ( mother of Iolaus), who has been doing the rite of incubation, waiting for a forseen dream,  to refuse the wedding at least until Bithia’s reveil.

Rumisu, son to deceased King Gonario and to Nakigia , aims to remove Uncle Itzocar in the command , feeling empowered.

While Nakigia exposes his call to wait, Bithia awakens and describes his dream of doom: a Sun swallowed by the Moon(Song of Bitia).

 Immediately after bursts on the scene Rumisu accusing Uncle Itzocar to have usurped the command (song of  Rumisu).

At the end of  Rumisu’s song, Damasu enters in defense of his father Itzocar.

The two men fight hand-to-hand.

The winner will be Rumisu. The loser Damasu abandons the village.

Rumisu, ripped the stick and the mantle from his uncle Itzocar, that will follow with his wife Irìsa the defeated son, sits on the throne and invites Aristea to join him at his side.

 But Iolaus and Aristea announce their love. And while the people and the guards, let the two lovers pass by, sadly Rumisu will leave the scene defeated by his own lust for power.

The ghost of King Gonario appears to underline the right rules with the song  of Akinta Kamar.

When Gonario goes out of scene, all the people will dance, celebrating the Last Moon, before the sun takes over the power for ever.

 

FIRST SCENE

 (the scene opens to the central square of the nuragic village of Nure. In the background,   a sacred well of nuragic period and in the distance the towers of the village; the half moon   shines in the blue sky; a mixed group  are dancing  a nuragic appropriate dance of good luck wishing at the double promise of marriage between Damasu and Aristea and between Elki and Gula.

 The choir will be singing the following air)

 

Come on, come on, lights from the sky

Come on, bright and pregnant

Come to the aiming water

Come on, come on, lights from the sky

 

 

Itzocar (standing up and beating the sheep’s stick for thrice, calling for silence)

-        People of  Shardana! Listen to me! I, Itzocar, King of Nure, today  I promise by the present announcement the wedding of my son  Damasu with the nice princess  Aristea ((Aristea,  will cover her face with the veil;  later on this sign, soon interpreted as shyness,  will be revealed  a gesture of refusing !)

 And when the Moon is sank  in the sacred well, nobody will be able to deny this promise  I’m doing in front of you; I call everybody as witnesses  as I confirm the promise with the gifts that my wife  Irìsa will pose hereafter in the well;

 

Irìsa (she stands solemnly up and goes to put the presents by the sacred well; then one ancill will give her a veil whom with she will tie one the couples)

-         You will be tied together for all your life, in luckiness and sadness! For ever and ever!

 

Anù (leaving the priest’s assembly will repeat the same Itzocar’s words, inviting Nakigia, being him a widower, to deal the bribes)

-         And I, Anù, Mayor between the Mayors of  Nure, announcing and  pronouncing  the weddings of my son  Elki with the beloved king’s Itzocar daughter , the nice Gula(he will stare at  Gula  who according to tradition will hide her own face with the veil) and because I’m a widower it’s up to the first Priestess Nakigia to present the gifts in front of the people!

 

Nakigia ( she will solemnly occupy the center stage, which will be promptly released,   but without taking any the gifts of  Anù and leaving drop off the veil brought to her for tieing the other couple ).

         - Is not that the way we used to present our weddings in the sacred well of Garlo in this country! Not even for the ancient habits  and not really while our priestess  Bithia   is still consulting our Gods! (everybody will turn towards the sacred tub of prediction where Bithia is staying, while the heads and the priests shall lift buzz of discontent and protests; but the protest stops while leaping from  the sacred cavern from which Bithia, cataplexy, comes, sustained  by the vestals to occupy the center stage  and  begins to sing)

to be continued...