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domenica 2 giugno 2024

Final Essay in New York

 https://www.amazon.com/dp/B0BTTSX694


 

Final Essay in a Drama School

Booklet for Musical by Ignazio Salvatore Basile

 

Final Essay in New York

Booklet for Musical by Ignazio Salvatore Basile

The drama is set in New York city around the 2002

Characters

Papa John Brook(baritone) = King of Cleaning also Frank Bandello and Director of the Drama School

Norma Nursey (alto)= His Wife

Geena Loyd (soprano)= Cleaner also student of Drama  School as Lavinia

Mel Baron (tenor)= Delivery Boy and student as Mariotto

Bill Dauber (bass): A kind soul- Student at Drama School

Vincent Da Porto= Boss in the Laundry business

Paris Da Porto= his son (does not appear)

Governor Escalus  Rockefeller (does not appear)

Charlie  Dealer: Pusher, chemist and pharmacist

Flora: housekeeper chez Bandello’s

Other students of the Drama School:David, Patrick, Susan, Ellen, Ada, Lawrence ,Henry, James,Leslie,Edna,Basil,Reginald,Ralph, Margaret

Chief Police Michael Masuccio; Various policemen,

Cleaners, dustmen, choristers and dancers

 

 

First Scene

 

An open space, like the courtyard of a firm. A dozen of handcarts are aligned, waiting for the dustmen to come to work.

As the scavengers arrive the boss assigns them the intervention sectors.

All the scavengers are young and have got an athletic build.

 

J.B. : Hi, Marcus! Good boy! Always the first to come. You’re in pole for the bonus also this week!

Marcus: Thanks Boss!

J.B.: Go to the twelfth  if you don’t mind!

Marcus:  ( taking a trolley) At once!

J.B. (to a girl who in coming) Glenda, to the eleventh today, please!

Glenda: Straightaway J.B.!

J.B. Thanks dear! (approaching a cart to another coming cleaner) To the tenth sector, be kind!

Third cleaner: I go immediately Papa John Brook!


venerdì 11 agosto 2023

Final Essay in Little Verona





https://www.amazon.com/dp/B084TN392P

Third Act

(A public place. While waiting for Charlie Dealer, Norma Nursey sings her song)

Scene I

Norma’s Song



How much longer

Will be women pretending

To be submitted to men’s power?



How much longer

we will have to devise our tricks

to get our rights?



How much longer

Will we have to wait

For our liberation?



Scene II

(Norma N. and Charlie Dealer)

Charlie Dealer (looking around warily; he wears a leather black jacket, sun glasses and a sort of jeans trousers with heavy boots; when he sees Norma approaches indifferently murmuring): Chocolate, mushrooms, brown sugar, grass,speed, anything is cheap! First quality!

Norma N. : Charlie Dealer?

Charlie D. : So they say! Who are you ma’am?

Norma N: For that fake death, ‘you remember?

Charlie D. : Yes, of course! Though yours is not an easy case…

Norma N. : I don’t mind at the expense…

Charlie D. : If you really don’t, ma’am, you got the right person in front of you!

Norma N. (impatiently) : What do you propose?

Charlie D. : I’ll tell you what! (rummaging in his pockets he shows a small package and a vial) You take a gram of atropine belladonna and after twenty four hours insert in an ear of the fake dead ten drops of water hemlock from this vial and the game is done.




Norma N. : Does it really work?

Charlie D. : Surely it does! I’ve tried myself to cheat a few insurance companies!!!

Norma N.: And did you get the money?

Charlie D.: Oh, not me ma’am! My wives and my kids did!

Norma N.: Your wives?

Charlie D. : Yes. I’ve been married several times. Thanks to this stuff I avoided the payments of aliments and could start a new life each time!

Norma N.: A good way to disappear!

Charlie D. : Yes, but every time I appear again, though with a different name.

Norma N. : I see… Well, let’s make the deal! (gives a roll of banknotes and takes the stuff).



Exit Charlie D. with a wave of greeting



Scene III

(Norma and Flora)

Flora (coming breathless) : My lady! Come quick at home, please!

Norma N. (frightened): What happened ? For God’s sake, I pray you to talk soon!

Flora (agitated and upset, almost incapable to speak): A great disgrace happened…

Norma N. (like before with impatience shaking her by the shoulders): What disgrace? Calm down and talk!

Flora (trying to calm herself but still trembling): Paris Da Porto came home…

Norma N. (not understanding, almost with relief): What’s a matter with this? It doesn’t look such a disgrace!

Flora: But Mariotto was already in there, waiting for Lavinia to come down…

Norma N. (starting to understand): And then?




Flora: Paris told him a fucking nigger couldn’t be waiting for his fiancée…They quarreled…

Norma N.: What do you mean “they quarreled”?

Flora: They got scammed and when Paris was about to succumb he pulled out knife from his pocket…

Norma N. (with despair) Oh no! The poor Mariotto! And poor Lavinia…He’s still alive?

Flora: Mariotto or Paris?

Norma N . : You sound like a sphinx today! Are you going to tell me what happened in my house at last?

Flora: Struggling strenuously, the knife struck in the heart of Paris…

Norma N.: Is he dead?

Flora: I immediately rushed to warn you but on my faith he seemed to me hit to death!

Norma N (realizing quickly) : That’s really a great disgrace! Let’s rush at the scene! (pointing a dust bin and giving her the lot she purchased from Charlie D.) Just throw away all this.



Flora: What is it madam?

Norma N.: Just bloody stuff! Don’t worry e rush after me! We must join the others in the School!



Exeunt



Scene IV

The scene is in the Hall of The Drama School, like in First Scene of Act Two. Papa John Brook, Norma Nursey, Geena, Mel, Leslie, Ralph, David, Patrick, Susan, Ellen, Ada, Lawrence ,Henry, James, Edna, Basil, Reginald. All the students, Norma Nursey and Papa John Brook are ‘playing the original characters

PJB: (continuing his proposal of the first scene of the Second Act) : How do you like this Final Essay in Little Verona?

James (convinced but not completely): In West Side Story there are more songs…

Basil: (thoughtfully): The story reminds me something…

Henry: How does the story end?

PJB: (amused by the questions) Let’s ask the interested characters. Mel what are you going to as Mariotto after quarrelling with Paris?

Mel: (irresolutely) I would be in two minds…to flee or not to flee…



Geena: (tenderly) Would not you agree with me what to do my love?

Mel (resolutely): I certainly would my dear!

Norma N. (fiercely): You are not old in vain! I would give my contribution!

PJB: Do you see, Henry? The end is still to be made up!

Leslie: Let’s make an happy end, please!

Edna: A tragic end is perhaps more appropriate…

PJB: (mysteriously): Tiger father begets tiger son.

Ellen: What do you mean by that, JB?

PJB: I’ll tell you what. Please seat down everybody and I’ll tell you a story.(all sit down on the floor) Did anybody know that West side story has been inspired by The most excellent and lamentable Tragedy of Romeo and Juliette ?

Susan: The William Shakespeare’s famous Tragedy ‘ you mean?

PJB: Properly that one!




Patrick: I think I’ve heard of it…

PJB: Never mind! Probably you knew it. But who knows that Shakespeare drew on other and numerous literary sources to set up his famous tragedy?

Ralph: I can’t believe it! Such a great man?

PJB: The fact does not diminish his greatness, believe me!

David: Where the hell could Old Billy take such a story?

PJB: Surely Shakespeare based his drama on the Arthur Brooke’s Tragical History of Romeus and Juliet. And the great poet Brooke was inspired by three different sources: a novel composed by Matteo Bandello, an Italian author, written in 1554, a story in a collection called Il Novellino, by the widely-popular fifteenth-century writer Masuccio Salernitano, and the Story Newly Found of two Noble Lovers, written by Luigi Da Porto and published in 1530.



Leaving apart the popular tale of Romeo and Juliet by William Painter’s collection Palace of Pleasure which influenced even more directly the greatest dramatist of all centuries in modern history!

Reginald: (half joking) Hey man, what did you suggest to us as your stuff?

Basil: I wouldn’t say that! “Libris ex libris” it’s what they say!

PJB: You are right! And dramas from dramas I dare to add!

Geena: Where the names Lavinia and Mariotto came from then?

PJB: Right from those Italian stories, my dear!

Mel: (pretending to be hurt): Did you want to make fun of us?

PJB: Oh, for no reason in the world! I just wanted to show you the importance of knowing history!

Norma N. (supporting JB): And also the meaning of the slogan you proposed for our Final Essay!




PJB: Of course. Do you remember?: “Theater , for its own nature, must keep telling a different thing from what it shows!

Ada: I convinced myself! Let’s play this drama as our Final Essay!

Geena: Yes! I’m with you!!

Lawrence: Let’s sing Hip hip hooray for JB!

All together they will voice hip hip hooray for JB and will bring it in triumph.

PJB: Be quiet! I need to be all sane for continuing the proves!

Chorus: Hip, Hip, Hooray! (like above)

PJB: And don’t be late at work tomorrow!

Exeunt all but Bill Dauber






Scene V

Bill’s Song (The sad song)

Forgive me my outburst and my rage!

I wonder why in every tale

Of any musical and stage

They all undervalue love amid a male

And a male? We’re put apart

Emotionless, no dignity, no tenderness!

But our love nevertheless

flows out from a beating hurt.

Don’t think our love is different

We fall in love so naturally

My soul kept bleeding sad and silent.

Be sure that I will

For the love that I feel

blame myself to the Police

For Paris’s kill

‘cause my lot is sacrifice! (Exit Bill Dauber)



Scene VI

(the scene resumes the action from the events described by PJB in the third scene)(Geena, Mel, Norma N. and Flora)

As Bill Dauber finishes his song the lights will show Mel Baron with his hands on his face and Geena trying to comfort him.

Mel: I swear I didn’t want to hurt him…It wasn’t my fault…I only defended myself…

Geena: Don’t worry my dear I believe you … and also the Police will believe you…

Flora (overtaking Norma): I can testify it was legitimate defense! I saw everything: from the moment he offended you until he pulled the knife out of his pocket!

Mel (like before): I’m sorry… though he called dirty nigger…

Geena: What an ignoble expression!



Mel: maybe I should run away and hide ... the police will not believe me because I'm black

Norma N. : No, Mel! I don’t think this is the best thing to do…The times are achanging and we have a frank witness in your favour!

Geena: And papa knows more than a good lawyer, doesn’t he mama?

Noema N. : He does for sure my darling…be brave and confident my son…

Mel: (surprised) Do you know of me and Geena?

Norma N. : (reassuring): Geena told me everything!

Mel: (shy and doubtful) And you have accepted me? Though I’m a colored man…

Norma N. : Of course I have! Enough with the legacies of the past!

Mel : But Mr Bandello….

Norma N. : Mr Bandello is going to do what their women will decide is to be done! You can count on it!

Mel (embracing Geena): Thank you for these words madam…

Norma N. : You can call me Norma Mel! You’ll be part of our family!

Geena: Thanks ma’!

Norma N. (in a tone of convinced exaltation) The time of love has come! Love must conquer every heart from now on! These are the new words! Flora, please call everybody to sing the new words!



Scene VII

(All the students and Papa JB will join the quartet and start to sig the Love’s son. Firstly will sing the quartet; secondly all the women and eventually all together)

It’ time to love, love, love

We want to love, love, love,

We need to love, love, love,

Let’s gather and love, love, love

The life is love, love , love

The love is one, one, one

Let’s fall in love, love, love

Ad libitum until

The End

 

 

 

 

sabato 5 agosto 2023

Final Essay in Little Verona

 


https://www.amazon.com/dp/B084TN392P

Second Act

(The scene opens in the hall of the Drama School where all the students have conveyed for the Final Essay)

 

Papa John Brook (silencing the noising Assembly) – Please be quiet everybody! I’ve a speech to make. Take a seat please and listen carefully! Today we gathered for the final essay. Your teachers told me you succeeded in all the subjects but History! What’s a matter with you?

David: We don’t like the past!

Susan: Sure we don’t! We have more future ahead than the teachers, don’t we boys?

All the Assembly cheers up!

PJB (like above): That’s ok, that’s ok! I got it! ‘you know? History is  useful, at least, not to commit the past mistakes… And anyway I need to check the subject before declaring your course is passed.

(the assembly shuts up) Let me see, you, Ada, talking about forty years ago, in  1962, would tell us a most relevant event to your eyes?

Ada (thinking for a short while) In my opinion it would be relevant the announcement of United States embargo against Cuba;

PJB; Very Well! What about you Patrick? Would you remind us, still talking of the same year, a social or political event you esteem important?

Patrick: My father, who was born in Soho, told me about the reject  of Robert Moses's proposal to build a Lower Manhattan Expressway which would have cut through from the Williamsburg Bridge to the Holland Tunnel and destroyed Soho and Little Italy

PJB: Well said boy! I’ll recall Little Italy myself, afterwards! And you Lawrence?

Lawrence: I would say that in August 5 1962 Marilyn Monroe is found dead at age 36 from "acute barbiturate poisoning". 

PJB: Not bad, reminding this, though I would have recalled the great Broadway Robert Morse’s success in How to Succeed in Business Without Really Trying. What about you Mel?

Mel (taken by surprise he keeps his mouth shut)

Geena: (taking Mel’s hand tenderly): May I say why Mel is not able to answer?

PJB: Please go on Geena!

Geena:  In 1962 the first black student, James Meredith, registers at the University of Mississippi, escorted by Federal Marshals.

PJB: That’s great of you Geena! Well I might say you are not so bad, in History, after all! And I’m compelled to declare you have all been admitted at the final essay!

(Cheers of approval grow from the assembly)

PJB: And hence we need to choose a drama to be performed by you all!

Patrick: Let’s play a Musical!

David: A new one!

Ellen: We want Broadway!

Susan: We want Berstein!

Chorus: We want West Side Story (everybody claims for West Side Story beating  with the feet on the floor)

PJB: I’ve got it but remember you have to go before to run! We need first of all a slogan for the Final Essay. I’ve thought of this. Pray all you to listen: “Good Art cannot do it without the past

Chorus (l. b. cheers up and claims for West Side Story)

PJB: OK! I’ve got you! Let me show something (JB goes to open a wooden toolbox extracting  two hats (Borsalino Style), two jackets (sixties style) and a bunch of scripts, handing them to Geena and Mel) – Please give one each all the attendees (while the scripts are delivered and a murmur rises in the hall between the students, JB wears one of the two jackets and one of the hats, giving the other two stage garments to Lawrence) – Wear them like I’ve just done and wait for instructions!

Flora: (showing the script to the others) What is this?

David: It looks to be a script!

Margaret: It’s entitled “The final essay in Little Verona”!

PJB: Hold on boys and girls and be patient. Please put two chairs on the middle, form a semicircle afterwards and follow the theatrical action. Now: I’m Frank Bandello and I’m waiting for Vincent Da Porto to come. The Bandello and the Da Porto families have been fighting for ruling the business of all the Italian shops in Little Italy. The night before the action there was a brawl between the rival clans which caused two deaths and several injuries. The Police are fed up of these continuous crimes and are determined to end them up. Vincent Da Porto wants to see his old enemy Frank to settle a peace, sharing influence and profits of Little Italy entering into  an agreement against the new rising  generations  of the rising families.  Lawrence you’ll play Vincent Da Porto. Adelaide you play my wife, Norma Nursey. Geena you’ll be Lavinia; Ralph try to be Charlie Dealer please while Leslie will be Flora, if you don’t mind Flora; and you, Mel, will play Mariotto! I’ll tell the others  what to do, unless you don’t have to play the Chorus or the Assembly.  Just read your lines on the script, if you don’t mind..  You all, but Lawrence, keep aside please. The action is going to start!

PJB (after embracing the old enemy): Welcome home Vincent! How long has passed since we met last time?

Vincent M.: Too much water has passed under Brucculinu Bridge! We needed to meet before!

JPB: You’re surely right! But, please, take a sit!

Vincent M. (sitting on one of the chairs) Thank you Franck.

JPB (sitting himself): It’s really funny Vincent, ‘you know? When our ancestors came here from Italy, longtime ago, they were good friends!

Vincent: You’re right! My wife remembers they were even a sort of cousins…

PJB: I knew that! And two of us have just died…last night…Why? While our families weaken each other new families  are rising searching for power…

Vincent: Arrogant and without the old rules…

PJB: Increasingly involved in prostitution and drugs…

Vincent: We must stop all this!

PJB: The time has come to do it!

Vincent: And what about your family? How are all them?

PJB: No bad, thank you. We live for our daughter, ‘ you know?

Vincent: Oh yes how do for sure! We have a son of the same time if I’m not wrong…

PJB: You are not wrong. They are same aged…

Vincent: My son, Paris, is a good boy, ‘you know?

PJB: I wish my daughter would meet a good boy, like in the good gone times …

Vincent: Why don’t we arrange a marriage reconciliation? Our families together can dominate all the business…

PSB: (standing up, offers his hand) Let’s do it!

Vincent(embracing): We are good friends from now…

 

Scene II

(It’s heard knocking the door from outside)

Deputy Chief of NYPD: Open the door or I’ll be throwing it down in a minute!

PJB: (with cold blood) Who’ the hell is knocking?

Deputy Chief NYPD: I’m Michael Masuccio, Deputy Police Commander of New York Police Department and I hence command you to open this damn door!

PJB: Keep quiet! I’m coming!

(Enter a man in plain clothes with a train of policemen showing  a defiant and threatening attitude)

Deputy Masuccio: Nobody moves! That’s a legal search!

PJB: I let you in for I’m with friends enjoying ourselves in legal activities! But May I ask you if you have a search warrant?

Deputy Masuccio: (changing his attitude) Oh, come on Frank! I’m just bringing you the greetings of my boss!

PJB: How is my friend Robert Wagner junior?

Deputy Masuccio: He’s all right I think but  I come straightly from Governor Escalus Rochefeller!

Vincent Da Porto (showing himself): He’s a good acquaintance of mines!

Deputy Masuccio: (surprised) Vincent Da Porto? What is that? A summit of bosses or what else?

PJB: I told you: just a meeting with friends!

Deputy Masuccio: Do you know the authorities are very concerned about your families and your business. Last night two people of yours have died in a brawl! And many others have been injured!

Vincent Da Porto: You can report them that war is over now!

Deputy Masuccio: I hope for you that is true. (extracting a sheet from his pocket) Anyway I’m in charge of reading you a missive from the Governor!

PJB: Would you listen to this missive boys?

Basil: If is not too long! (general laughs, screams and jokes from the attendees will upset the Deputy)

Deputy Masuccio: What about you? Make sure you don’t carry forbidden stuff with you! Like smoking grass or strange powders, ‘you know what I mean?

Edna: (in a sensual voice) We don’t need any stuff to enjoy ourselves!

Deputy Masuccio: (with a winking look) I believe on your word girl!

Reginald: (jealous and annoyed by the joke) We waiting for you to read that missive!

(general laughter like before)

Deputy Masuccio ; (opening the sheet) Shut up! “Rebellious subjects, enemies to peace, you men, you beasts! you who pour your own blood! Throw your mistempered  weapons to the ground!

 And now listen the sentence of your horrified Governor. Three civil brawls have thrice disturbed the quiet of our streets and made our city bloody to death! If ever you disturb our streets again your lives shall pay the forfeit of the  peace. And that’s my last warning! “

(while Deputy Masuccio fold the sheet in his pocket an applause of mockery will rise from the assembly)

PJB: Thank you for playing your part Deputy Masuccio! Can we go on with the third scene of the Second Act, now please?

Deputy Masuccio (with rage menacing): OK. I go, but be careful you around boys! And you Mr Da Porto, better come with me! (and to Bandello) And I expect you to reach us as soon as you can!

(Exeunt Vincent Da Porto, Deputy Masuccio and the policemen)

 

Scene III

(Norma Nursey, Frank Bandello and Chorus)

Norma N. (as she were coming from outside): Hi dear! What happened? I saw Vincent Da Porto leaving home with a train of policemen!

Frank Bandello: Nothing to be worry about my love! He came to propose a  peace agreement between our families!

Norma N. (surprised with happiness) Wau! That’s really great!

Frank Bandello: Yes, it is for sure! And we also made a wedding arrangement to better seal our peace! Have you seen Lavinia by the way?

Norma N. (trying to hide a bad presentiment) She was looking for you too!

Frank Bandello (surprised) What for?

Norma N. (hiding the truth) Oh, nothing special, I think…

Frank Bandello ( preparing to leave the scene) If you see her, please tell her I need to talk to her!

Norma N. : Yes, I will! (trying to look uninterested) May I ask you about that wedding arrangement?

Frank Bandello: Of course! You are involved as well as I!

Norma N. (pretending to be impassible) Am I? What’s about?

Frank Bandello: Do you remember that Da Porto has a son already mature for marriage?

Norma N. (presenting the truth) Yes, Paris Da Porto…he’s twenty-two or something like that…

Frank Bandello: (with an accomplice attitude): In order to reinforce the peace we decided to marry our daughter Lavinia with Paris Da Porto!

Norma N. (trying to appear motionless) I see… I’ll tell her my self when I see her…

Frank Bandello: (kissing fleetingly)  Thanks dear. I need to go now. I’ll see you later.

Exit Bandello

 

Scene IV

Lavinia (like Norma before, pretending to come to scene from outside, with an eager voice): Oh Mum! Did you tell dad about me and Mariotto?

Norma N. Bad news, my treasure! It looks harder than we thought…

Lavinia (upset and alarmed): Why you said that, mum? Please tell me what’s going on!

Norma N. :Be strong, light of my eyes! Your dad has promised you to Paris Da Porto!

Lavinia (desperately starts crying): Oh no mum! Never in my life! I’m in love with Mariotto!

Norma N. (trying to comfort her embraces the  girl): I know, my joy and I’m with you, believe me!

Lavinia: It’s because Mariotto is black, isn’t it?

Norma N. : I don’t think, though it might have been a further problem…

Lavinia: (like before): Then why mum? Please tell me why?

Norma N. :  (thoughtful) Old stories, ancient customs between honored Italian families…

Lavinia: Oh mum, please help and forgive me! I would prefer to die before marrying another man!

Norma N. (thinking a brilliant idea): Of course… why not? It would be a good way to untangle the skein…

Lavinia (like in a trance of desperation, crying again) Sorry mum…I’m in love with Mariotto… Better  to die instead…

Norma N. (with determination, like taking a decision): Come on my gem! You must never lose your hope. When God closes a gate, He often opens a door!

 

Exeunt Lavinia and Norma

 

 

Scene V

(The Chorus starts singing its song)

 

Remember your fathers

That daughters and sons

Are not heartless pawns

To be moved on chessboards

 

They have right to mistake

They have right to choose

If you don’t want them to loose

Don’t mess them for your own sake



...to be continued...