last moon

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sabato 12 settembre 2026

Traveling in spacetime with Virgil

 




https://www.amazon.com/dp/B0BTCCPJTQ?

ACT 1

First Scene

The Inquisitors of the Holy Inquisition

( Tommaso Cosimo Caccini,   Lodovico delle Colombe, Niccolò Lorini, Claudio Acquaviva, Benedetto Mandina , Jacopo Aldobrandini e don Pedro de Vera; one unnamed secretary and four friars; two soldiers; witnesses:   Scipione Prestinace, Giovanni Mocenigo, Francesco Graziano and friar Celestino from Verona; the Unnamed Witness;  Pope Clemens VIII’s envoy Alberto Tragagliolo; the devils of Loudun: Lucifer, the young Satan, Beelzebub, Leviathan, Elimi, and Astaroth; apart Dante and Virgil).

The lights get on over a square table where twelve people form a  judge board for heretic sinners, proponents of deism, scientific searchers, magician, witches, astrologers   and  fortune-tellers. On the table there are several ponderous books. The secretary has got a plume ink pen and writes down the assize’s record. Above the table, with block characters there a festoon with the write “Pigeon League”. On the left there is a door with a script “Astronomical Observatory”; still on  the left, much closer to the judges table,  another door with the script “Torture Room”; On the right a third door leads outside. At the table some cardinals, friars and a secretary chancellor.

President Tommaso Cosimo  Caccini: Eminent brothers and members of this holy assembly, we are conveyed to debate and sentence against all the enemies of Saint Roman Church: heretic sinners, proponents of deism, scientific searchers, witches, wizards, astrologers   and  magicians. But above all we fear the asserters of reason. They want to destroy the church for they fight against the pope’s authority which, as we all know, in founded on the sacred scriptures, the only dogmatic truth. They are the darkness posing as light, the blasphemy pretending to be science, the falsehood impersonating the truth. In one word they are the antichrist came on earth to destroy the world! (to the soldiers) Let the first witness enter!

The First Guard opens the Astronomical  Observatory Door

Secretary: (screaming out loudly) Scipione Prestinace!

 

 

 

Second Scene

(all the above said plus Scipione Prestinace)

Scipione Prestinace: Your Eminences! I’ve seen him! The man from Stilo! He’s building the City of the Sun! (after witnessing, like all witnesses,  he will stay on the back of the room)

Card. Caccini: That’s enough! Call the second witness!!!

Secretary: Giovanni Mocenigo!

Third Scene

(all the above said plus Giovanni Mocenigo)

Giovanni Mocenigo (breaks in almost breathless): The friar from Nola is over there! He’s laughing and mocking like a crazy man! Come yourselves and see through the Telescope that I’m telling the truth!!!

Lodovico delle Colombe (to card. Caccini): Shall we go and see?

Card. Caccini (in a angry way): I’ll never look through that devilish tool! Let another witness come!

Secretary: Francesco Graziano!

Fourth Scene

(all the above said plus Francesco Graziano)

Francesco Graziano (comes in timidly): Good day your eminences…

Nicolò Lorini: What can you testify of those heretic people?

Francesco Graziano: I’ve heard many of them saying the earth moves on along the sun!

A buzz will rise powerful through the accusers

Claudio Acquaviva: What other proves do we need!!”! They are denying the Holy Books!!!

Card. Caccini: Let’s hear the fourth  witness!

Secretary: I call for  Frà Celestino from Verona

Fifth Scene

(all the above said plus Fra’ Celestino)

Fra Celestino: Your Eminences I have heard people saying the pope is not unfailing and that it cannot  be believed what cannot be demonstrated by means of scientific evidence; and furthermore the Almighty cannot intervene in human affairs for He has created the world and nothing more cares of it!

Don Pedro de Vera: That’s unbelievable to be heard!

Card. Caccini We have  a last witness, haven’t we?

Secretary: Come the last witness!!

 

Sixth Scene

(all the above said plus the Unnamed Witness)

The last witness (is a dark, hooded  men with a sheepskin on his hands) I bring the list of the black men with the books of blasphemy they have written against the unique truth: Galileo Galilei, Hugo Grotius, John Comenius, René Descartes, Francis Bacon, Johannes Keplero, Isaac Newton, John Locke, David Hume, Immanuel Kant…

Benedetto Mandina: I think that’s enough!

Jacopo Aldobrandini: Let’s them burn all!

Card. Caccini (with imperative voice): Silence please!It’s time to issue our sentence!!!!

Seventh Scene

(Enter the Devils of Loudun:  Lucifer, the young Satan,  Beelzebub,  Leviathan, Elimi,
and 
Astaroth. They wear spears of iron, tightens and tridents; all of them are horribly dressed and infuse great terror in the judges and in all the present people)

Lucifer: I also have to issue a sentence in the name of all the guilty magicians, alchemist and witches you have burn through the time and on revenge of those, much more numerous, you have unjustly condemned.

Card. Caccini (in  a desperate attempt): Vade retro Satana!

Satan (laughing). Hey, don’t misunderstand!!! Satan is me oh man!!! I could go back if you held the Holy Cross! But you have dismissed it since longtime!!!

Beelzebub (with a fierce grin): Enough with the talk!!! Let’s go to have the great orgy on torture!

(forced and planted by the arms’ devils all the judges, the guards and the witnesses are pushed into the room of torture; the devils will do that with outrages and obscene phrases against the religious men. After all the men are inside the torture room appear on the stage Dante and Virgil.)

 

Height  Scene

(Dante and  Virgil)

Dante (clearly frightened). What is going to happen to them?

Virgil: Don’t feel sorry for them, my son!!!That’s the law of counterfeiting!!! The evil they made to the others will be inflicted them by those devils!!!

(horrible screamers and terrible howls will be heard from inside the torture room)

Dante (shivering): Oh that is so frightening!!!

Virgil: Take courage my son!!! That’s the Hell not a walk for seminarians and novices!!!

(from a dark corner a man silently appears walking like in trance, praying with rosary in his hands; he’s a man of medium size and  strong looking; he wears a black  hooded habit, sandals and a shoulder bag)

Ninth Scene

(the above said and Alberto Tragagliolo)

Dante (recovering behind his master with trembling voice): Look my master…there is someone coming up…

Virgil (with a cold blood voice): Who are you, in the name of God!!!

Alberto Tragagliolo: In the name of God my name is Alberto Tragagliolo, father commissary of pope Clement the VIII for the Roman Holy Inquisition. I came from Piacenza and I was also called as Drago!!!

Dante: It’s why you are a dragon that those bloody devils didn’t pick you up with the others?

Virgil: No, my son! Haven’t you heard Satan?

Alberto Tragagliolo (showing the holy rosary still in his hand) It’s because of this!!! Furthermore I was sent to the assembly on defense of some defendant…’ you know? I don’t even know why I’m here…

Dante: What we are going to do with him, master?

Virgil: We cannot leave him here, can we?

Alberto Tragagliolo: Might God compensate you for your generosity…

Virgil: But father, I must warn you, we are simply moving to another circle of this same Hell!

(other terrible screams will be heard from the torture’s room)

Alb. Tragagliolo (pointing the torture’s room): Anywhere else will be better than that!!!

Virgil: Let me see! (to Dante) Tell me son: would you like to visit the Era of Enlightenment or you want to see directly the French Revolution?

Dante (thinking about it and pointing the empty table where the judges sat just shortly before): As far as I understood we have already assisted the struggle between science and  reason by one side and blind faith and religion  by the other side, haven’t we?

Virgil: Though is not so simple as you put it, I would say you are right… you’re really a quick pupil anyway!!!

Dante: Thank you so much my master, but it’s you who are a great schoolmaster!!!

Virgil: Don’t be so humble, my son!!! So, my friend, before going to Paris we could accompany you  in London. What do you think about?

Alb. Tragagliolo (sheepish but still grateful) I’m in your hands sir!!!

Virgil: Of course it won’t be easy at all… have you some money with you?

Alb. Tragagliolo: Sure I do!!

Virgil: And you need  a new identity…

Alb.Tragagliolo: I’ve some clothes in my bag; may I go to wear them before we leave?

Virgil (pointing the Observatory Room): You can go there; and be quick please!

Alb. Tragagliolo: Thanks sir! I’ll be ready in a couple of minutes!!! (exits)

 

Tenth Scene

 (Dante and Virgil)

Dante (suspiciously): Who is he, master? Won’t you believe to his  story of being a pope’s emissary?

Virgil: Don’t worry my son! I know very well who is him…

Dante (looking forward): Please let me know it , before he’s back!

Virgil: He’s a master ascended!

Dante (curiously surprised): What do you mean by a  master ascended?

Virgil: He’s a body no longer subject to laws of gravity and death…

Dante (fascinated and admired): How is it possible?

Virgil: In some way they succeed in melting the  body and the soul together…

Dante (l.b.): Really great!!! Almost unbelievable… But there are many of them?

Virgil: No really; only a few…

Dante: Are them good guys?

Virgil: They are tolerated…

Dante: But are them destined to be saved?

Virgil: It’s up to them to save their souls… Normally they choose to live pursuing material aims…

Dante: Can I have some names?

Virgil: They are really a few, as I told you. Something tells me that our friend he’s going to pretend to be the Count of Saint-Germain… or may be Swedenborg Emmanuel… Louis Claude de Saint Martin or even, who knows?, Antoine Fabre d’Olivet… It depends on what and whom he founds in London!

Dante: But why do you want bring him to London?

Virgil: I’ll suggest  him to search the Conte Cagliostro right in London…

Dante: But do belong all these masters ascended to a caste  of nobility?

Virgil (laughing): O no, my son! Conte Cagliostro is only a skilled falsary… He can help him to acquire any identity…Watch out, son!!!Here he comes!!!

Eleventh Scene

(the above said and Alberto Tragagliolo)

 (A very elegant man appears coming out from the Astronomical Observatory)

Dante: May I ask him something before we go?

Virgil: Anything but his past or his next identity…

Dante (with sighs of nostalgia): No, master! I want ask him something of my Florence…

Alb. Tragagliolo: I’m ready! Shall we go?

Virgil: You look  really dressy!

Alb. Tragagliolo: Thank you sir!

Dante: Have you ever been to Florence?

Alb. Tragagliolo (looking with suspicion): What are you  asking it for?

Dante: I’m from Florence, ‘ you know?

Alb. Tragagliolo: Are you really? What’s your name?

Dante: My name is Dante Alighieri…

Alb. Tragagliolo (surprised): Dante Alighieri? Do you mean Durante degli Alighieri, the poet?

Virgil: Right him, man!!!

Dante (humbly): And he’s Publius Vergilius Maro my schoolmaster!!!

Alb. Tragagliolo (changing attitude): Dante Alighieri the Florentine and Virgil from Mantua!!!I’m very sorry I didn’t recognize you! I’m honoured to meet you! But what the hell are you two doing here?

Virgil (cutting shortly): We’re just travellers! This is not our place; at least, not more than it is for yourself!!!

Alb. Tragagliolo: I see….

Dante: Can you please answer to my question now?

Alb. Tragagliolo: Of course I can! I was in Florence in 1348, escaping the Black Death with Giovanni Boccaccio ‘till when the Ciompi’s Revolt took place. And I went  back to Florence, in the following century, among the new people,  at the time Cosimo de’ Medici took power.   But I spent my best years with his grandson Lorenzo, known as The Magnificent, who succeeded Piero  de’ Medici in 1469. Lorenzo was a great patron of the arts, commissioning works by Michelangelo, Leonardo da Vinci and Botticelli. Lorenzo was an accomplished poet and musician and brought composers and singers to Florence, including Alexander Agricola, Johannes Ghiselin, and Heinrich Isaac. I left  when,  following  the French king Charles VIII invasion, the Florentines rebelled  and expelled Lorenzo’s son  Piero the Second, so restorating a republican government. You surely know that during this period, the Dominican friar Girolamo Savonarola had become prior of the San Marco monastery in 1490. He was famed for his penitential sermons, against  widespread immorality and attachment to material riches. He blamed the exile of the Medici as a divine  punishment for their decadence. He seized the opportunity to carry through political reforms leading to a more democratic rule. But when Savonarola publicly accused Pope Alexander VI of corruption, he was banned from speaking in public. When he broke this ban, he was excommunicated. The Florentines, tired of his extreme teachings, turned against him and arrested him. He was convicted as a heretic and burned at the stake on the Piazza della Signoria on 23 May 1498. Fortunately the Medici took back the power, at the time  Niccolò Machiavelli rose his fame thanks to his political handbook, titled The Prince, which is about ruling and the exercise of power. Machiavelli also wrote the Florentine Histories, the history of the city.

Dante: I’ve read both the Prince and the Florentine Histories!

Alb. Tragagliolo: I was sure you did! So you have learned the Florentines drove out the Medici for a second time and re-established a republic on 16 May 1527. Restored twice with the support of both Emperor and Pope, the Medici in 1537 became hereditary dukes of Florence, and in 1569 Grand Dukes of Tuscany, extending its power even to Siena and Pistoia. Actually all Tuscany but Lucca and Piombino.

Dante: I’ve also read all this.

Alb. Tragagliolo: As a matter of fact the great family of Medici had three Popes and two Queens of France, in addition of many cardinals. Furthermore they were the richest bankers of that time! And that’s all I’ve seen with my eyes; for  the rest is for hearing… ‘you know?

Dante: May be I should be proud of that but I feel so sad instead!

Virgil: Well, it seems that your republic has not performed at its best!

Dante: Small consolation indeed!

Virgil: Shall we go? Our spaceship is waiting for us to go!!!

Alb. Tragagliolo: I’m ready sir!

Dante: Let’s go master!

exeunt

to be continued...

domenica 18 luglio 2021

The long trip of knowledge

 


Since long time past manhood has wondered about the most inner significance of our presence on the earth.
I imagine our primitives ancestors, still wrapped in their beast’s furs, asking themselves the meaning of the stars in  the sky, some brighter , some farer, some fading away, like falling down; or  they might be thinking why the rising and the setting down of the sun, the pouring rain, the flashing of the lightening, preceding the boasting thunder; and the mystery of flying , the fascination of dreams, the secrets in the silence, the magic of a new life coming out from feminine bodies.
They started worshipping the sun, the waters, the eagle, or the great mother because of these unanswered questions. May be the first spark of this craving of knowledge has started around the fire, old men telling stories to be remembered by the young of the tribe.
The quintessence of hundred thousand years of this human research can be found now in the great religious books of humanity: the Indian Vedas and Upanishads; the Tibetan Book of Death; the Wisdom Books of the Holy Bible; or even in the mysterious books of esotericism.
You might believe or not believe in God (I personally do); and we can discuss for thousands of years  Which One is the Only God (but I know there is only One God, anyway); some can call God the Cosmic Essence of the Universe and some others can crush the Unity of God in to a Pantheon of Gods (like ancient roman and Greek did and like Indians still do); you can even keep on worshipping idles and totems (as matter of fact money and lust are not  but the modern gods of contemporary times); but if have spent your life without searching a reason to be born, then your life has passed you by uselessly.
Through  centuries and millennia men have even abused of the power of knowledge, misusing magic formulas for cheating poor people, frightening them with the shadows of God (God Himself cannot scare anyone, because He can only love); the Books themselves were instruments of power: those capable to read them on them the sacred truths could exercise a great power on those ignoring the meaning of the signs traced on their lines.
This special issue of Arspoeticamagazine deals with the matter of knowledge in the beginning of the seventeenth century.
 Angelo Ruggeri shows in a selection of works, how Milton, Giordano Bruno, Galileo Galilei, Torquato Tasso and other great minds of this century, have handle and dealt with such a sensitive subject and  why the established power counteracted their thoughts.
In the same century,  I set my novel “The Perfect Watchmaker's Handbook” (at the momento available on Amazon's stores in Italian language with the title  of "Il Manuale del perfetto orologiaio"), where four main writers and their friends of the Academia of Lamole, in Tuscany, are compelled to hide away from Holy Inquisition because they have decided to translate in to vulgar language the Sacred Scripture against the Pope Clemente VIII’s 1596 Decree, who wanted the Holy Bible still to be published only in Latin ancient language (incomprehensible to most  people).
Still remains a great question: up to where can manhood  push his thirst of knowledge? Is it right to go beyond anyway? Is it correct to restraint the longing of manhood to break all the frontiers of knowledge? And who is titled to check scientist, poets and all the men who feel free to research the truth anyway and anywhere? Such questions are still of topical actuality and is not in the intentions of our magazine to dare to give any answers to them. I can personally only say that when I was much younger than today, my answer would be simply aimed to deny any chance of control or censorship.
But now I’m not so sure anymore.

sabato 5 luglio 2014

The soul's comedy - 2


Third Scene
( While the cries slow down, Dante and Virgil reappear in the scene; a mute  video keeps on showing the bargains in the stock exchange’s hall)
Virgil
-          Have you got them?
Dante (in an embarrassed tone of voice)
                - I can’t really understand what’s  going on over there, master???

Virgil (sighing)
                - They are making money...

Dante (a bit perplexed)
                - Do you mean, they are sort of landlords bankers???
Virgil
                - I didn't say that my son! They are actually mostly inventing money than producing it. They produce nothingness as matter of fact… I mean: not material stuffs…

Dante
                - I beg your pardon, sir, but I'm afraid I can't get the meaning of it!
Virgil
                - Of course you can't, my son!! It's not easy for anybody to understand. Listen to me, I'll try to explain to you the difference between production and speculation, real creation and virtual richness!  If you write a good book, for instance, and you sell it to a firm to be published and then the book is  sold in the shops: the buyers have a book in their hands; you, the editors ,the book sellers and all the people involved in the business share the profits; is that clear up to now?
Dante
                - Very clear indeed, master!
Virgil
                - That's right! Let's suppose  now  that your publisher hasn't got the  money  to publish your book!
How can he get it?

Dante
                - He goes to a Bank, I might suppose!

Virgil
                -And so do I, my son! But what happens if the banker hasn't got enough money himself?
Dante
                - I suppose my book won't see the light yet!!
Virgil
                - It might be right, my son! Unless you don't consider the role played by those guys up there (he shows the stocks exchangers)
Dante (perplexed)
                - I'm sorry, master, but I'm still blind...
Virgil
                - Never mind it! Just follow me for a little more! The banker goes to those guys (he points out the stocks exchangers again) and asks them to sell the idea of publishing your book to the savers! 'You know what savers are, don't you my son?
Dante (readily)
                - Well, they are people who have more money than they need to live through!
Virgil
                - Correct, my son!
Dante
                - And of course they want their money to be safe for future needs!!
Virgil
                - That's still correct, my son!!! Put it like that: the savers trust the bankers and the stocks exchangers;  they even trust you and  your writing's skills! But this would not be a problem: financial investors have more instruments to convince savers in order to reach their targets! I'll show you later how a magic box  can wash people's brains just staying at home!!!
Dante (trying to understand)
                - So the banker asks the stocks exchanger to ask the savers to buy the idea of publishing my books...
Virgil
                - Yes, that's it!!! There are plenty of instruments: the publisher might have emitted some titles to guarantee the credits and the savers will buy those titles; or they can buy the future profits which are expected from the selling  of your books; they can even just lend their money on the promise of an interest to be paid...
Dante
                - And this money is given to the banker and borrowed by my publisher...
Virgil
                ... who publishes and distributes your books all over the world!!!
Dante
                - All over the world,  master?
Virgil
                - Of course! Can't you write a latin book to be sold all over the world?
Dante
                - Well, I suppose I can do it, master!!
Virgil
                - Well! And that's your first book, is n't it?
Dante
                - Yes, master! Though I don't see nothing wrong on it...
Virgil
                - But this is only the beginning, my son!!!
Dante
                - What do you mean , master?
Virgil
                - I mean that now, those guys (indicates the stokes exchangers like before) can ask the savers to buy your next book...
Dante
                - But I have just written my first one!!!


Virgil
                - It doesn't really matter my son!!! They will sell all the goods not yet produced like the wheat just seeded and all the events on the future to come!!!
Dante (very surprised)
                - Will they?
Virgil
                - And that's still nothing! If a firm is worth one million they can increase its value, just up there (shows the busy guys in the stocks exchange once again) up to ten or to  hundred  millions, though its real value is still just one thousand!! And that's thanks to the trust of people, 'till the game goes on!!!
Dante
                - Now I know master, what you meant, when you told me the guys over there make money from nothing!!!
Virgil
                - I'm glad you did it, my son!!! Come on, now, let's leave these incontinent people and go to the lower states!!!
Dante
-          Where shall we go master?
Virgil
-          Well, I think you know, my son, that human heart is basically affected by two evil tendencies: the incontinence and the mischief…
Dante
-          I believe it upon your word master!!!
Virgil
-          And you surely know too, that mischief people can be divided into violent and fraudulent mischief, don’t you?
Dante
-          Of course I do master!
Virgil

-          Very well!!! Then I’ll tell you that were are going to complete the visit of first five circles where are convicted stingey,  lustfuls,  greedies,  irascible, slothful, prodigals and so on… You have already had a fore view, aint you?
... to be continued...